Watching The Space Between Us is akin to the sitting through an unintelligible lecture. Not quite sure where the logical jumps were, you merely nod and move on, understanding that it would take some work to decipher the mess of notes you scrawled.
The film I, Daniel Blake is a declaration. These words, spray-painted across the walls of the job centre, capture the compelling story of 59-year-old carpenter Daniel Blake (Dave Johns) who is forced to fight for his welfare rights after a heart attack.
Hidden Figures follows the struggle of three African American women working for NASA in the 1960s. Even faced with rampant sexism and racism at work and in society, with dogged perseverance and a firm belief in themselves, they overcome barrier after barrier. Don't worry, that's not a spoiler. That our plucky protagonists will emerge victorious is no surprise in this feel-good dramatization of historical events.
Illumination Entertainment’s latest animated film, Sing, is jumping on the singing competition train, following the journey of theater owning koala Buster Moon (Matthew McConaughey) as he tries to revive his theater’s financial woes by staging a city-wide singing competition.
For those who frown upon the illogicalness of random fits of song and dance, La La Land with its mix of the trivial and the real dares to reinvent the musical as a genre.
The film follows Ea, God’s disgruntled 10-year-old daughter, who is of course, Jesus Christ’s (JC for short) younger sister. Groyne instills each dead-eyed stare with both weariness and willfulness, playing the role with a quiet gravity that belies her age. Her voice-over narrations are pitch perfect, too, in their monotonous tone and quintessentially blasé teenage demeanor.
Like any good Disney movie worth its salt, Moana tethers its lighthearted comedy and rousing action to a central, uplifting theme.
Contingent on a successful suspension of disbelief, Arrival delivers a thought provoking and understated drama with an astonishing denouement.
Blood, death, dirt, flames, and shattered bodies arc across the screen in a depraved, slow-motion waltz of wartime gore that is sickeningly captivating.
Among the twelve victims, Paper Lanterns centers around Normand Brissette and Ralph Neal, two American POW victims, including interviews with members of their families, who shared their gratitude to Mori for his compassion and dedication.
Gavin O’Connor’s The Accountant centers around Christian Wolff (Ben Affleck), an autistic, mathematically gifted, gun-slinging, martial arts master who, when not running his own small accounting firm, is uncooking the books for major drug-lords, kingpins, and other nefarious criminal organizations.
Being a teenager is hard. While experiences may vary for each individual, most are at least familiar with the idea of the angst-ridden, hyper-aware emotional upheaval that the stereotypical adolescent experiences.
The Birth of a Nation depicts the story of Nat Turner (Nate Parker), a Bible-educated slave who comes to believe that he is a messenger of God, destined to lead his fellow slaves in a rebellion for freedom.
Looking through a train window and wondering what’s going on in the houses that we pass — it’s something that we’ve all done. The Girl on the Train digs into this curiosity, and follows Rachel (Emily Blunt), a 30-some year-old alcoholic who rides the train everyday to do just that. She stares out the window to watch a seemingly happy couple enjoying themselves on their porch at 15 Beckett Road, narrating that “they’re everything I want to be.”