Designer Gulsha Chereli always thinks of texture first when she begins her design process, and that mindset was apparent in the collection she showcased at the Liberty Hotel last Thursday night. Even in the first round of designs shown, which favored a neutral color scheme, the texture and layer play was prominent: leather was paired with satin like fabric in a wraparound trench coat, the slim silhouette of a miniskirt was countered with draped fabric over the front of the piece, fabric traditionally used in businesslike blazers was molded into a Moto jacket, and black lace was integrated into every design. The line had a high fashion feel, but with a practicality that would make it easily wearable.
Is there anything more overdone than a wealthy, overachieving, pretty girl falling for the charming boy from the wrong side of the tracks? Endless Love follows Ivy-League-bound Jade’s predictable escape from the grips of her overprotective father and into the arms of bad boy David the summer after she graduates from high school.
Opening for Panic! at the Disco is a daunting task. Fans trickled into the venue after braving the biting Boston chill while waiting in a line that, quite literally, wrapped around the block. It’s hard to please an overly excited, impatient group of people who are here for the main act and would likely be content to skip your performance entirely.
I was unsure of what to expect when my headphones began streaming the first notes of One Direction’s third studio album, Midnight Memories. Although I haven’t been keeping up with the band since their days on the UK televised performing competition known as the X Factor, I’ve been listening to their music for a long enough time to be able to distinguish each member by voice, and I went to their Take Me Home Tour concert in Seattle this summer.
I sat down with Nora Vrublevska in the Wiesner Art Gallery, walls lined with her black and white prints, to discuss the inception of her exhibit entitled Cambridge at Night. Vrublevska, a native Latvian, has been interested in photography for most of her life. When she was younger, she saved her lunch money to buy 35mm film and develop photos, but she says, “I didn’t really know what I was doing; I was photographing at that time but I didn’t get really serious until I came here.”
Last Tuesday, I sat down with the director and two leads of the MIT Shakespeare Ensemble’s production of Hamlet. The director, J. Paul Nicholas, previously worked with the Ensemble on the spring 2012 production of The Tempest. Keenan A. Sunderwirth ’14 and Mark L. Velednitsky ’14, the actors I spoke with, are no strangers to either the Ensemble or the stage — both MIT seniors have worked on eight shows in their time here, and began acting at ages 6 and 7 respectively.