One of the benefits of attending a concert by a new-ish band is that you get to hear their whole repertoire. For Foster the People, this included songs from their second album Supermodel, their first album Torches, B-sides from both albums, and everything in between.
Are quilts fine art or folk art? The exhibit Quilts and Color, currently on display at the Museum of Fine Arts, invites viewers to answer the question for themselves.
The Emerson Scholars and Emerson Fellows program helps recognize the many talented musicians at MIT. The Tech had the opportunity to talk to Dario Garcia-Dominguez ’15 about what it’s like to be an Emerson Fellow, his Advanced Music Performance Student Recital this Wednesday at Killian Hall at 5 p.m., and music at the MIT. Garcia-Dominguez plays the piano and will be performing the following at his recital: Beethoven, Bagatelles, Op. 33, Sonata in E Major, Op. 109; Chopin, Ballade No. 2 in F Major, Op. 38; Prokofiev, Sonata No. 3 in a minor, Op. 28; and Liebermann, Gargoyles, Op. 29.
I loathe Shakespeare. Shakespeare’s plays are generally over-performed, and I’ve seen far too many productions where actors speak Shakespeare’s archaic words in strange phrasings, making the plays inaccessible. Additionally, the plays generally lack interesting female characters and are often misogynistic. To say the least, I expected to be bored by A Midsummer Night’s Dream.
While it still seems like winter outside, spring is just around the corner. Luckily, Lori Kyler Christensen began showing pieces from her label Venni Caprice’s Spring/Summer 2014 collection last week (http://www.vennicaprice.com). Christensen’s line is filled with fun dresses and bohemian prints. While the adventurous designs are not for everyone, Christensen also had some interesting insights into the clothing design process. The Tech had the opportunity to view Christensen’s collection for Venni Caprice and ask her about her designing process.
Dramashop’s production of Arcadia continues this week, with performances from Thursday through Saturday at 8 p.m. in Little Kresge Theater. The play draws parallels between two eras of residents at Sidley Park in England their rumination on science and love. While the play asks serious questions about determinism and love, there are also plenty of laughs. The Tech interviewed cast members Keenan A. Sunderwirth ’14 and Garrett W. Schulte ’17.
Tom Stoppard’s Arcadia pairs the parallel stories of teenaged Thomasina Coverly (Keenan A. Sunderwirth ’14) and her tutor Septimus Hodge (Garett W. Schulte ’17) in an early 19th-century England in Sidley Park, and follows Hannah Jarvis (Katherine A. Roe ’14) in modern day. While Thomasina investigates determinism and physics near the turn of the century, Hannah uncovers the identity of Sidley Park’s mysterious hermit.
Labor Day is Henry’s (Gattlin Griffith) reminisces of Labor Day weekend in 1987 when he was 13. His mother Adele (Kate Winslet) has become a nervous shut-in after her divorce from Henry’s father, and has isolated Henry and herself. But on a monthly shopping trip, they are forced to harbor Frank (Josh Brolin), an escaped fugitive.
Is the modern housing crisis like the Great Depression? In House/Divided, The Builders Association attempts to understand the parallels between the financial panic of the late 2000s and the 1930s, with a fascinating script that draws inspiration from The Grapes of Wrath and innovative incorporation of media.
Inside Llewyn Davis focuses on the life of a young folk singer in Greenwich Village during 1961. But the titular Llewyn Davis (Oscar Isaac) is extremely unlikable. He is a homeless travelling musician, dependent on his successful friends who allow him to sleep on their couches. Yet he believes it is his right to lecture them on selling out. At times he’s so cruel that I couldn’t help feeling repulsed by his narcissism and neediness.
American history is extremely messy. It is often hard to believe that a country founded on the idea of freedom and equality for all denied these freedoms to women and minorities for so long. But the movie 12 Years a Slave forces us to confront one of the greatest evils in the history: slavery.
Richard Curtis has written several charming romantic comedies, including Love Actually, Notting Hill, and Bridget Jones’ Diary. With About Time, it’s clear that Curtis hasn’t lost his magic touch; it’s yet another beautiful, funny, sentimental tale about love and life.
On Thursday, MIT announced that Danish-Icelandic artist Olafur Eliasson was awarded the Eugene McDermott Award in the Arts at MIT. The award is an annual grant honoring Eugene McDermott, the co-founder of Texas Instruments and a longtime benefactor of MIT, and celebrates individuals with promising talents in artistic disciplines. Eliasson will receive the $100,000 prize at a gala this spring, as well as an artist residency, pop-up exhibitions, and the opportunity to give a public lecture. According to the Council for the Arts at MIT, the $100,000 prize is considered “an investment in the recipient’s future creative work rather than a prize for a particular project or lifetime of achievement.”
Near the beginning of The Family, Giovanni (Robert De Niro) narrates his life story. A former mafia boss who snitched on the mob, Giovanni is forced to become “Fred Blake” and enter witness protection in Normandy with his wife “Maggie” (Michele Pfeiffer), daughter “Belle” (Diana Agron) and son “Warren” (John D’Leo). Though he’s committed untold numbers of murders, tortures, and other devious schemes, he somehow sees himself as a misunderstood “good guy” living with his own moral code. And this absurd delusion seems like an apt metaphor for The Family, a movie convinced that gruesome murders and thin laughs can create a good gangster movie.