For time periods from which extant written records are few, drinking and serving vessels can serve in an illuminatory capacity. Assembling an exhibition dedicated to such artifacts, as Susanne Ebbinghaus has done at the Harvard Art Museum, provides an unparalleled opportunity for cross-cultural and cross-temporal analysis of the tradition of animal-shaped vessels that persisted over three millennia, from Greece to China.
Soon, the empty stage, with a beautiful, defunct organ for backdrop, would be graced by the presence of the most well-known and widely praised period-instrument quartet of the day. Quatuor Mosaïques, an Austrian ensemble that came together 30 years ago, distinguishes itself with its singular use of gut-stringed instruments, specializing in the music of the 18th century.
The myth of the “tiger mom” took flight in the American imagination with the publication of Amy Chua’s Battle Hymn of the Tiger Mother, which sparked a nationwide controversy about the merits of Asian vs. Western parenting styles. Playwright Mike Lew “felt that it wasn’t being represented [fairly] in the media,” so he decided to write a play about it. He explores not only the myth of tiger parents and the question of what happens after the alleged Carnegie Hall recitals and Ivy League college graduations, but also the identity conundrum that faces Asian-Americans in the 21st century.
The restaurant will capture a wide variety of experiences: it will have a coffee bar with a delectable selection of pastries throughout the day; it will offer lunch; and in the evening, Tracy’s experience in fine-dining will provide the ultimate experience, whether you’re ordering drinks, pinchos, or dinner.
A Sunday Afternoon on the Island of La Grande Jatte, displayed at the Art Institute of Chicago, served as a theatrical and musical inspiration for Stephen Sondheim, who has been described as “the greatest and perhaps best-known artist in the American musical theater.” For actor Chanler-Berat (Broadway's Peter and the Starcatcher and Next to Normal) and director Peter DuBois (A Little Night Music), who hopped on a plane to view the original painting, it was a source of creative energy.
Taking a theatrical journey to Messina, the traditional setting of Shakespeare’s Much Ado About Nothing, was exactly what I needed by the end of this past week. It turned out to be a rather unexpected kind of Messina — a gaming lounge rather than a small Italian town. But hey, “all the world’s a stage,” and the Shakespeare Ensemble does a fantastic job of adapting one of the Bard’s most beloved comedies to ours.
Deep in the Amazonian rainforest, we embark on a journey with Karamakate (Nilbio Torres), a shaman who is one of the only survivors of his tribe. Colombia is being torn apart and pillaged by the rubber plantation barons who control the country during the colonial era. Director Ciro Guerra’s The Embrace of the Serpent is an intricate and mournful examination of the ravages that this period in history wrought upon the indigenous peoples of Colombia. It is based on the travelogues of two explorers, German ethnologist Theodor Koch-Grünberg (Jan Bijvoet) and American biologist Richard Evans Schultes (Brionne Davis), who wrote some of the only existing accounts of many of these indigenous tribes.