If you lean your head downwards and close your eyes, you might just find yourself being shaken awake and told that it’s time to go.
A green furry man attempts to exorcise his loneliness by picking on villagers. After he carries out his big plan, the man learns the spirit of Christmas.
Like every good story, The China Hustle has its compelling characters. What’s funny is the slight comical dimension that some of these characters take on, with the Loeb & Loeb lawyer embodying the slimy “greed is good” archetype, and General Wesley Clark serving as the symbol for the “figurehead for hire.”
Bejar, along with the half dozen other members of Destroyer performed at The Sinclair near Harvard Square. Much like the opening lines of “Tinseltown Swimming in Blood,” from the latest album Ken, the group’s performance featured wonderfully colorful and evocative phrases that complemented each other with a surprising and wonderful strangeness.
In what begins with a lurch but slows to a crawl, director and writer Scott Cooper’s film ‘Hostiles’ has us wishing for dynamic dialogue and a more succinct and surprising script.
When the credits roll, we are left in a hazy fugue in the wake of a movie that is emotionally devastating and structurally resonant. Aranofsky does a fine job in a powerful and explosive conclusion, and it is left to us to marvel at the leftover carnage.