A kingdom divided, three daughters estranged, and a madwoman born in the midst of it all — MIT Shakespeare Ensemble presents Queen Lear, a telling story of the titular queen’s tragic downfall after she divides her empire among two of her three daughters.
Pipe cleaners may seem childish to use in art — but to me, they are colorful and comforting, flexible and versatile, and there are no boundaries to what I can create with a few fuzzy sticks.
The two-hour show is filled with color, spazztastic music and moves, and enough hooting and howling from the fanatical audience to fill up the MIT night scene.
As the lights dim in La Sala on the second floor of the Stud, the spotlight focuses on a quiet scene in fair Verona (crafted by set designer Jakob Weisblat ‘18), where the age-old tragedy of star-crossed lovers is about to unfold. With their rendition of Shakespeare’s Romeo and Juliet, the MIT Shakespeare Ensemble brings forth the time-worn themes of fate and free will, love and lust, that Shakespeare introduced in theaters centuries ago. The famed tragedy, directed by long-time theater veteran Francine Davis, brings the audience many laughs, tears, and the entire spectrum between the two.
Depending on what sort of connoisseur you are, the neoclassical-like Beaux-Arts style of architecture that Despradelle loved would have either satiated your cravings for elegance and decoration, or disgusted the modernized MIT techie inside of you.
Hamlet-on, a production by the MIT Shakespeare Ensemble, was completely written and rehearsed in 24 hours. A mashup of William Shakespeare’s tragedy Hamlet and Lin-Manuel Miranda’s wildly popular musical Hamilton, the show proves both clever and hilarious.