Happiness, grief, love, life, and death are all subjects people have grappled with over the ages. Imagine how overwhelming such concepts would be for an alien visiting Earth, tasked with the job of observing humans. Such is the premise of Jomny Sun’s graphic novel everyone’s a aliebn when ur a aliebn too. Sun’s alien, together with a ghost, an uncertain owl, a lonely tree, and a host of other characters, explore topics from imposter syndrome to community to the creation of art, issues that Jomny — or rather, Jonny — has good reason to think deeply about.
'Love, Simon' was difficult to watch and far poorer than the book it was adapted from. While I’m happy that Hollywood is diversifying content, addressing current issues, and promoting a culture of acceptance, I’ll have trouble recommending this movie to anyone.
Think of a modern, raunchy rom-com, or every time a novel was censored for mature content, or go to the past and think of Voltaire’s Candide. And now think about opera, the soprano’s voice echoing through the hall, the audience’s impeccable suits and dresses, and the richness of the orchestral music. Put the two together, plus an overt confrontation against capitalism, and we have 'The Threepenny Opera.'
A kingdom divided, three daughters estranged, and a madwoman born in the midst of it all — MIT Shakespeare Ensemble presents Queen Lear, a telling story of the titular queen’s tragic downfall after she divides her empire among two of her three daughters.
Claudia Rankine’s ‘The White Card’ bares the hypocrisy of a white family as they host a black photographer over dinner before the 2016 U.S. presidential election. Despite its promising premise, the play suffers from shallow characterization and forced dialogue, dulling what otherwise could have been a compelling narrative.
The triple bill showcases three of today’s most prominent choreographers — Jorma Elo, Justin Peck and William Forsythe — each faced with the challenge of bringing shape to sound through a non-narrative work. This grants us the rare opportunity to compare and contrast their unique takes on George Balanchine’s classic charge, to “see the music, hear the dance”.
‘Gringo’ combines a story full of drugs, corruption, and action with an all star cast to somehow create a movie that is not equal to the sum of its parts.
The Berklee Popular Music Institute (BPMI) connects student and alumni musicians with students studying management to give aspiring professionals a taste of life in the music industry. Hoping to be the next St. Vincent or Passion Pit, two of BPMI’s more notable alumni, five musical acts were chosen from over 300 submissions to perform at the Sinclair.
I’ve sat down with Sarah Quinn ’17, a recent Course 18 graduate who has recently left MIT to become a hip-hop artist, to talk about her experience here and her journey to become the artist she is today. Just take a moment to absorb that.
Chris Babu ’97 graduated from MIT with a mathematics degree and worked on Wall Street as a bond trader for 19 years. But since then, despite being told he was crazy to not stay in finance, he’s changed his career to a novelist.