The American Repertory Theater’s ‘Wonder’ is an absolute must-see
Bursting with vibrant colors, tear-jerking musical numbers, and what can only be described as middle school spunk, the musical offers a vision of hope for a more accepting world.
Falling into the blue of ‘Serenade’
DK and Seungkwan deliver the powerful high notes that are a signature aspect of the Seventeen’s explosive final choruses. However, as DxS, their vocal colors and nuance take center stage, highlighting the full range of their artistry.
The BSO showcases American musical identity with Allison Loggins-Hull, the Tanglewood Festival Chorus, and Seong-Jin Cho
Celebrating the 250th anniversary of American democracy, the concert was one part of the BSO’s “E Pluribus Unum: From Many, One” series.
Boston Ballet’s ‘Nutcracker’ returns for the holiday season
For anyone seeking to embrace the holiday spirit, this production remains an absolute must-see.
Berklee students bring Coldplay’s spectacle to life
With glowing wristbands, powerful vocals, and a stage full of musicians and dancers, Berklee students transformed a concert hall into a Coldplay universe.
MIT Vocal Jazz Ensemble performs their fall collection
Before the performance began, VJE director Laura Grill Jaye encouraged the audience to whistle, clap, jazz moan along, and lean fully into the looseness of jazz.
The Handel and Haydn Society delivers a convincing version of Handel’s ‘Messiah’
The Messiah is an annual tradition of the Handel and Haydn Society.
The Huntington’s ‘Fun Home’ is devastating, joyful and necessary
The Huntington Theatre’s production of Fun Home asks how one can find joy in the most serious moments.
‘Kim’s Convenience’: A heartwarming comedy
Kim’s Convenience humorously tells the story of a Korean immigrant family in Canada, with themes of family obligation and reconciling cultural differences.
MIT Symphony Orchestra’s second fall concert is a veritable display of technique
Adam Boyles conducts MITSO through Shostakovich and Tchaikovsky, with Justin Yamaguchi ’28 as violin soloist.
When algorithms create, who’s the artist?
MIT scholars Dr. Ziv Epstein and Professor Justin Khoo comment on AI art.
BSO premieres León, performs Sierra with soloist James Carter, and presents Brahms’s second symphony
León’s Time to Time was given premiere, with James Carter showing his virtuosity in Sierra’s concerto even though the Brahms was uneven.
The Metropolitan Opera performs Bellini’s La Sonnambula with new production and interpretation
The revised ending now has Amina running away from the village.
Midori joins the BSO to illuminate Takemitsu and Dvořák
It wasn’t until Midori joined when the atmosphere truly shifted.
George Balanchine’s Jewels returns to the Boston Ballet after 11 years
The three-part piece is a showcase of stretching ballet to its limits
Beatrice Rana casts magic from the piano
What she achieved at the keyboard often defied belief.
Pink Power: Legally Blonde (The Musical)
Berklee’s rendition of Legally Blonde raises its existing feminist messaging to a new level, all while maintaining the same fun, glittery energy of the original story.
Symphony Hall celebrates centennial of Phantom of the Opera
It was refreshing to hear the audience laugh and applaud throughout the film in response to its dramatic moments — a welcome contrast from the typical atmosphere at Symphony Hall.
‘One of Those Days When Hemme Dies’ delights moviegoers at Boston Turkish Film Festival
What stands out the most about this movie is its slow pace, which both heightens and diminishes frustration at various points.
Yuja Wang joins the BSO in works of 20th-century composers
An ambitious program was marred by overdone dynamics in Copland’s Third Symphony.