Climate change, foreign policy, and mass surveillance
Shifting her work, which was previously rather pastoral and orchestral, to pop-inspired electronic music, Anohni focuses on politics this time in an attempt to make a protest album.
A potpourri of performances in Boston Ballet’s Mirrors
The pas de deux has an impressively broad range of moves. The spins and lifts are mostly unique, and the variety easily keeps you on the edge of your seat.
Darkness lurks in Hemingway’s island paradise
The film’s ambition in trying to tell several stories at once can’t be faulted, but we are left wanting a little more of each.
Misa Kuranaga takes flight in spring premiere of Swan Lake
Kuranaga is wonderful at capturing the frail, tormented, hauntingly beautiful White Swan in the second act, yet is able to quickly switch to the energetic, coquettish Black Swan for Act III.
An unnecessary addition to the Snow White and the Huntsman franchise
At this point, the plot turns into an avalanche of random fantastical events. We find out that the mirror has the equivalent effect of Medusa’s head (except people are turned into murderers instead of stone), goblins somehow become involved, and we even see Freya riding around on a polar bear.
The Wild Party
The piece is relatively fast-paced throughout, with one dramatic turn following another and songs flowing almost like a stream of consciousness.
Creative sandwiches made with gooey eggs and delicious bagels
The sandwich tasted like a typical breakfast sandwich at first, but the mustard butter definitely made it stand out — it provided the perfect tangy kick to make it immediately more memorable than any other breakfast sandwich. Gooey eggs also never hurt.
A tale of hazing and hacking at MIT
For those unfamiliar with MIT, reading Geeks & Greeks will likely be an eye-opening experience, as the graphic novel quickly dispels many MIT stereotypes. In the first few chapters, we see that Greek life exists at MIT, and that students aren’t a bunch of overly serious nerds — they like to joke around, prank each other, and put large objects on top of buildings. I’m a campus tour guide, and you wouldn’t believe (and would maybe be a little insulted) by the number of tourists and prospective students who ask if MIT even has clubs, Greek life, and sports. The artwork is consistently pleasing throughout the novel, and certainly does a great job at bringing many unbelievable events to life. In this way, the novel is certainly a compelling read, filled with jokes that will please anyone with nerdier sensibilities and stories that are sure to inspire young readers to apply to the Institute.
Horace and Pete: the best show nobody knows exists
Part One: What is Horace and Pete?
My Brightest Diamond
Shara Nova (formerly Shara Worden), the acclaimed multi-instrumentalist known for her versatile musical repertoire and artistic moniker My Brightest Diamond, visited Boston on March 17 as part of Stave Sessions, a set of chamber music concerts organized by The Celebrity Series of Boston and featuring innovative and eclectic musicians and performers. The Tech took the opportunity to talk to Nova about her latest album, inspirations, and live performances before attending her intimate, two-hour concert at Berklee College of Music.
Julia Holter’s exquisite live performance
After the captivating live rendition of “Goddess Eyes I,” Julia Holter smiled to the audience and remarked that the only thing she could see that night in the background of Allston’s dimly-lit Great Scott was the live stream of former U.S. Secretary of State Hillary Clinton and Senator Bernie Sanders’ Democratic presidential debate on TV. The audience immediately burst into laughter.
Much Ado About Nothing: hormones and humor run rampant in Messina gaming lounge
Taking a theatrical journey to Messina, the traditional setting of Shakespeare’s Much Ado About Nothing, was exactly what I needed by the end of this past week. It turned out to be a rather unexpected kind of Messina — a gaming lounge rather than a small Italian town. But hey, “all the world’s a stage,” and the Shakespeare Ensemble does a fantastic job of adapting one of the Bard’s most beloved comedies to ours.
The Tech speaks to Sacha Baron Cohen about The Brothers Grimsby
“I gotta say one thing: fuck Harvard!” This was the first thing Sacha Baron Cohen said when he walked on stage at the screening of his new movie, The Brothers Grimsby.
Guy Maddin: smaller than life
The room is bubbling with conversation and an easygoing vibe as I walk into 56-114, where Comparative Media Studies regularly hosts its Thursday evening Colloquium. Students get shuffled to the front by CMS’s own William Uricchio, who exclaims that “it’s going to be a conversation.” The seats end up filling up to the back anyway, and with some unruly air conditioning, we’re all getting a bit cozy before the conversation starts. Later we’ll find out that “cozy” is often what director Guy Maddin strives for in his film practice, so perhaps it’s just as well.
The Brothers Grimsby stumbles in its attempt to mix action and comedy
If you’ve ever seen a Sacha Baron Cohen movie, you should have an idea of what to expect when you walk into a theater to see his newest film, The Brothers Grimsby. The comedian and actor is known for pushing the boundaries of good taste with his work, and this is no exception. To describe some of the movie’s cruder jokes as obscene would be an understatement, and in fact, when I went to a screening in February, Baron Cohen said that it had only been a week since the film had been edited down enough to not be given an NC-17 rating by the Motion Picture Association of America.
Zootopia is humorous but drives home a hard message
Animated movies can be fun for adults, but they’re aimed at kids. And at first, Zootopia feels like purely a kid’s movie with a straightforward plot that we’ve seen before: two clashing personalities must come together to save the day. But as the plot shifts, building up to the movie’s core message, you find yourself engaging with it on a level uncommon to a typical kid’s movie. And that’s where the magic happens.
The Embrace of the Serpent: a song, a prayer, a symphony
Deep in the Amazonian rainforest, we embark on a journey with Karamakate (Nilbio Torres), a shaman who is one of the only survivors of his tribe. Colombia is being torn apart and pillaged by the rubber plantation barons who control the country during the colonial era. Director Ciro Guerra’s The Embrace of the Serpent is an intricate and mournful examination of the ravages that this period in history wrought upon the indigenous peoples of Colombia. It is based on the travelogues of two explorers, German ethnologist Theodor Koch-Grünberg (Jan Bijvoet) and American biologist Richard Evans Schultes (Brionne Davis), who wrote some of the only existing accounts of many of these indigenous tribes.
WTF offers a unique perspective on life on the front line
Reviews often destroy movies, and only rarely, as in the case of Whiskey Tango Foxtrot, do they create them. In 2011, a New York Times review of Kim Barker’s wartime memoir The Taliban Shuffle described Barker as “a sort of Tina Fey character, who unexpectedly finds herself addicted to the adrenaline rush of war.” This caught the eye of Fey herself, who began pulling strings to bring Barker’s story to movie audiences as Whiskey Tango Foxtrot.
Behind the scenes of Zootopia
Nick Orsi is a Visual Development Artist from Disney who spent a year working on developing Nick Wilde, the con artist fox protagonist of Zootopia. After a special animation presentation to the MIT community, I sat with him for a quick conversation.