WTF offers a unique perspective on life on the front line
Reviews often destroy movies, and only rarely, as in the case of Whiskey Tango Foxtrot, do they create them. In 2011, a New York Times review of Kim Barker’s wartime memoir The Taliban Shuffle described Barker as “a sort of Tina Fey character, who unexpectedly finds herself addicted to the adrenaline rush of war.” This caught the eye of Fey herself, who began pulling strings to bring Barker’s story to movie audiences as Whiskey Tango Foxtrot.
Behind the scenes of Zootopia
Nick Orsi is a Visual Development Artist from Disney who spent a year working on developing Nick Wilde, the con artist fox protagonist of Zootopia. After a special animation presentation to the MIT community, I sat with him for a quick conversation.
Art of the Internet scam
While waiting for the train back to Boston last Thanksgiving, I was approached by a fellow traveler with a tragic story. He had lost his wallet through a recently-discovered hole in his pocket. Now he was stranded in the station with nothing. Would I be able to spare anything? Sure, no problem. I had $5. I would be glad to help out. Sitting on the train a few minutes later, I was kicking myself. Why did I fall for such an obvious scam? How could I have been so gullible? Weeks later, at an art exhibit, I found some answers. In the MIT List Center’s most recent installation, “I Must First Apologize…,” Joana Hadjithomas and Khalil Joreige pick apart the art of the online scam. Through a presentation of video and collected text, the duo examines the construction of fake online identities.
The Boston Ballet presents Onegin
Ever since the Boston Ballet first brought this John Cranko classic to the U.S., Onegin has been a fan favorite. It is one of the most moving pieces in the classical ballet repertoire, telling the story of the naïve Tatiana Larina who falls in love with the brooding Eugene Onegin. But the older Onegin finds her childish infatuation tiresome, and spurns her — only to have the tables turn when he comes to his senses years later.
Hannibal Buress performs stand-up comedy at MIT
Stand-up comic Hannibal Buress performed to a sold-out Kresge Auditorium on Friday night, in a comedy set ranging from commentary on the previous night’s Republican debate to a solid five minutes of gibberish rap. The show was sponsored by the De Florez Fund for Humor, and tickets were distributed by lottery to members of the MIT community.
The life of Kanye West
Kanye West is a visionary, a jackass, a gifted musician, and an awful fashion designer. And after an admission of being $53 million in debt, irrational Twitter behavior, a leaked SNL backstage rant, and multiple tracklist and title changes, he has finally released a working version of his seventh studio album titled The Life of Pablo.
Tweeting in the theater
The audience is gathered in the cozy Oberon Theater, with performance areas spread out between and around us. We are embedded in what promises to be a novel theatrical experience — an engaging mixture of dialogue, dance, and video.
A picturesque brunch at Loyal Nine
Weekends were made for brunch, and the recent polar-chill weekend was no exception for me and my buddies, Julia and Krystal. We ventured over to Loyal Nine in the East Cambridge area, and we were welcomed into a light-filled, rustic-themed restaurant. Our booth’s raw wooden seats looked (and felt) as if they just came out of a woodworking shop, and our napkins were what I like to call “faux washcloths” — those white square linen cloths with a single washed-out blue stripe. The water came in a pour-it-yourself tall bottle, and I could see a bit of the open kitchen on the other side of the room. The ambience was the perfect recipe for an artsy Instagram post, but their actual food recipes could have used some help.
Moore’s war of hearts and minds
The title of Michael Moore’s latest documentary, Where to Invade Next, seems to reflect ambivalence on the part of its creator. It is after all no coincidence that Moore’s trio of breakout box office hits — Bowling for Columbine, Fahrenheit 9/11, and Sicko — appeared during the administration of his antagonist-in-chief, George W. Bush. Though no one would pretend that mass shootings have subsided since the release of Bowling for Columbine, the election of President Obama saw the formal end of the Iraq War and the passing of health care reform — the subjects of Fahrenheit 9/11 and Sicko, respectively. The working title of Moore’s latest project might as well have been, What To Tackle Next?
Ann Hirsch: “Sexy” (Un)Sublimated
I had never been in MIT LIST’s project exhibition room before. It was smaller than I expected, and yet somehow this almost claustrophobic quality lent itself to Ann Hirsch’s work. The darkened room was illuminated by the screens dotted about the walls, and the tiny crackles from the adjacent headphones were sporadically drowned out by the main speakers. With white fur rugs and black bean bags on the floor, it was easy to attach oneself to a screen and become immersed. This learned transportational quality of screens — our ability to willfully submit to their immaterial reality and allow it to transcend our surroundings — became more visible and reflexive as I explored each piece.
The NYC record industry comes to life in ’70s rock drama Vinyl
He’s a record man. Snorting coke in his car, his personal life on the verge of collapse, wanted for questioning for murder, trying to escape. Escape everything.
Mack Avenue Superband: jazz legends, educators
The Mack Avenue Superband, an energetic and star-studded six-piece jazz ensemble, performed at the Berklee Performance Center last Thursday.
That Dragon, Cancer: a powerful story about loss and its emotional baggage
“I’m sorry guys, it’s not good,” says a man in glasses and a button-down shirt, hesitance in his voice. He’s seated next to a woman holding a clipboard, her head tilted in sympathy at the receivers of this ‘not-good’ news. They are addressing our main characters, arranged on a couch facing them: a husband, a wife, and a small child who happens to be the unwitting subject of the conversation.
Remembering David Bowie
David Bowie, a legendary music and fashion icon, passed away on Jan. 10 after an 18-month battle with liver cancer. Following his death, numerous artists and public figures paid their respects to the singer via social media by thanking him for being a source of inspiration throughout their lives. Last week, the entrance to the Infinite Corridor was embellished with a banner that paid homage to Bowie through his verse from “Space Oddity,” while Lobby 7 greeted the MIT community with imagery of his eccentric outfits. Surely, every Bowie fan can cite a multitude of reasons why this icon should be remembered and appreciated, but I can understand why someone who did not follow his career might ask a simple question — why should we care about David Bowie?
Boston Ballet’s The Nutcracker: A sure sign of the holidays
Every holiday season, the Boston Ballet adorns its atrium with Christmas trees and festive laurels in preparation for its annual performance of The Nutcracker.
The Man in the High Castle
It wasn’t hard to make the decision to spend this past weekend on my couch recovering from Thanksgiving festivities by binge watching a new TV show. The real choice to make was deciding which series I should spend my precious long weekend devouring. Eventually, I settled on Amazon Studios’ new alternate history sci-fi series The Man in the High Castle. The show is based on a novel of the same name by Philip K. Dick (Blade Runner and Minority Report were also based on his work), was created by Frank Spotnitz (a writer and producer from X-Files), and has Ridley Scott (director of Alien, Blade Runner, Gladiator) as an executive producer. From this line up alone, I expected a pretty epic series.
Trumbo offers a shallow take on Hollywood’s writer’s bloc
It seems more than a little fitting that Jay Roach’s new biopic, Trumbo, is classified as a ‘Drama’ for the forthcoming Golden Globes in spite of its studio’s preference for it to be considered in the less competitive Comedy category. This is fitting not only since Trumbo is a movie that doesn’t quite know what it wants to be, but also because it betrays the navel-gazing, self-referential tendencies of Hollywood that the movie initially seeks to satirize but ultimately falls victim to itself.