BSO opens 135th season with an all-Russian program
The Boston Symphony Orchestra opened its first concert of the season in a fashion that reflected the all-Russian program: quick and to the point. Upon entering, conductor Andris Nelsons was greeted with a standing ovation; however, the audience barely had time to sit down before the BSO began Shostakovich’s playful Ninth Symphony. It was easy to appreciate the lightness of the strings and winds juxtaposed with the fanfare of the brass. I found myself captivated by Nelsons’ conducting, which conveyed excitement and scrutiny to detail, and the way the orchestra responded in kind. Navigating through Shostakovich’s bright Allegro, his eerie Moderato, and his loud Presto, the musicians demonstrated their versatility in both technical and emotional depth.
Electronic lyricism
I jump late onto most bandwagons — many of my favorite artists are inactive, and for a year or two, Metric belonged to that unfortunate club. Their unique blend of electronic and traditional rock instruments, as well as their profound and relatable lyrics, captivated me. Old World Underground, Where Are You Now? (2003) was one of the first albums I listened to in its entirety, and I was surprised to find that I loved every single track. Since the group seemed to have disappeared, I was stuck cycling between the same few albums. My musical limbo ended Sept. 18, 2015, with the release of Pagans in Vegas.
If only NASA had funding
Big-budget science fiction is experiencing something of a renaissance. Director Ridley Scott’s The Martian follows a string of commercially minded, studio-backed sci-fi movies, including Interstellar and Gravity, which play out small-scale personal dramas on a big-scale stage (outer space).
Maya Beiser reimagines classic rock with her cello
Last Friday, I made my way to the front row of Kresge Auditorium to witness Maya Beiser’s Uncovered concert. Jherek Bischoff stood on the left of the stage with his Hofner bass (similar to Paul McCartney’s but with F-Holes), the drummer, Matt Kilmer, was all set with his sticks, and Maya Beiser positioned herself in the center, with her electric cello.
Boston Calling
Boston Calling took place in City Hall Plaza this past weekend, and the entire area buzzed with energy and excitement the whole time. Surrounding the two stages were dozens of tents where local companies and vendors sold food, flower crowns, and handed out samples. People flowed in and out between performances, but there was also a constant, huge mass of people right in front of the stages, waiting for the next performer to come out. The energy increased greatly during performances, fed by both the performers’ and the crowd’s excitement to be there. The crowd danced and sang along with the performers, all whilst cheering, tossing around beach balls, and waving their arms and blue light sticks along to the music (in the attempt to join the camaraderie, someone even waved his crutch instead). Boston Calling is truly an event that captures the youthful and fun personality of Boston.
A tale of two generations
When I first saw the theatrical release poster for The Intern, starring Robert De Niro and Anne Hathaway, I thought that I was in for a Devil Wears Prada part two — but I was only partially right. While The Intern is vaguely reminiscent of Hathaway’s breakout film, the roles are reversed. Hathaway plays the role of Jules Ostin, the hard working CEO and founder of an online clothing retail site, About The Fit. De Niro plays Ben Whittaker, a 70-year-old widow who joins the company as a senior intern after deciding that retirement was not for him.
Pilot episodes can be rough
I was incredibly excited to hear that Fox was premiering a TV spinoff of the futuristic sci-fi movie Minority Report (directed by Steven Spielberg, 2002). The series is appropriately (or perhaps, confusingly) called Minority Report. A quick summary for those who haven’t seen the film (I do recommend it!): fast forward to 2054, the government has future-predicting “pre-crime” tech that allows them to capture criminals before they commit (or even think to commit) crimes. Tom Cruise’s character, John Anderton, realizes that these methods are not completely reliable and can imprison innocent people. I enjoyed the movie version — I thought it was philosophically interesting and the plot was engaging and constantly thrilling. Minority Report, the TV show, however, leaves much to be desired.
Stand-up comedy and science collide at BAHFest
This past Saturday, students and visitors filled MIT’s Kresge Auditorium for the third annual Festival of Bad Ad Hoc Hypotheses. Created by Zachary Weinersmith, author of the Saturday Morning Breakfast Cereal webcomic, BAHFest featured the outlandish theories of six speakers who competed to give the best argued, most nonsensical scientific presentation.
Boston Calling co-founder talks to The Tech
The fall installment of this year’s Boston Calling Music Festival will occur on Sept. 25-27, filling City Hall Plaza with live concert performances all through the weekend. Although Boston Calling has only been around since 2013, it has already gained an impressive following, received national acclaim, and has attracted prominent artists such as Bastille, Lorde, Tove Lo, and Marina and the Diamonds. The Tech recently interviewed Mike Snow, one of the co-founders of Boston Calling, to talk about the festival’s conception and successes.
Doctor Who returns with ‘The Magician’s Apprentice’
Fans awaiting the arrival of the ninth season of Doctor Who were subjected to quite the emotional roller coaster despite the fact that the season only just premiered this past Saturday. Before we even get to the episode we have the rumors and speculation. There has been speculation about impending regenerations (when The Doctor dies and regenerates into a “new” Doctor, and is consequently played by a new actor) and rumors about companion departures. Changing between Doctors and/or Companions is always a traumatic experience for fans.
The true-life story of James “Whitey” Bulger gets bleak big-screen adaptation
There are few genres as enduring in American cinema as the gangster film (see The Godfather, Goodfellas, and Casino, for starters). These films collectively explore our cultural fascination with violent, charismatic criminals — self-made figures who operate outside the system to great personal gain and at the expense of law, order, and often many lives. Generally, these films portray the gangster’s world as governed by highly intricate systems of hierarchy, fealty, and unwritten yet brutally enforced codes of behavior (no snitching!).
Restaurant roundup
Parts of this article were first published on the author’s blog, Spilling the Beans.
Video and board game fans flood athletic center in celebration of indie games
The 4th annual Boston Festival of Indie Games (FIG) took place this past Saturday at the MIT Johnson Athletic Center, where more than 100 independent game developers, studios, artists, and animators gathered to showcase their work. The celebration attracted thousands of visitors who ranged from casual gaming enthusiasts to video game scholars.
Arts on the Radar
Arts on the Radar, a “block party for the arts” hosted by the List Visual Arts Center in collaboration with MIT’s Program in Art, Culture and Technology (ACT) and Arts at MIT, took place on Sept. 4.
Growing pains
I go through music phases in bursts, and I make monthly playlists that reveal my brief obsessions. This past July, I went through a particularly angsty music stage — I was full of political discontent (I had just reviewed the anti-capitalist band Desaparecidos, so they were on this playlist too), I was working two jobs, and life was just, in general, monotonous. Needless to say, I identified with a lot of punk rock sentiments: desire to fight the man, weariness of the nine-to-five, eagerness to party (though my packed schedule and never-ending to-do list didn’t allow for it, so I had to live vicariously), and the simple need to do something just for fun.
Can I have the definition please?
I completely understood what director Hubert Hwang ’07 meant when he said that MIT students would probably really identify with at least one of the eight main characters in The 25th Annual Putnam County Spelling Bee. The middle schoolers aren’t perfect, and while they have some impressive achievements under their belts, they have flaws, insecurities, and personal matters to deal with. We realize it isn’t fair to idolize them: admire them, sure, but don’t place god-like expectations upon them.
Steve Jobs: A study in contrasts
If you’re a fan of Steve Jobs, you probably won’t like this incredibly unflattering documentary about the iconic tech innovator. For full disclosure, I’m typing this review on a Macbook Pro and I have an iPhone in my pocket, but after watching Steve Jobs: The Man in the Machine, I have to say, I sort of resent myself for purchasing them. To be fair, this documentary is incredibly opinionated, but after watching it you will certainly get a feeling that Steve Jobs was not a very nice person, to say the very least.
A glimpse behind the curtains
At the beginning of every fall semester, the MIT Musical Theater Guild (MTG) takes the stage in Kresge Little Theater to deliver a charming musical performance. This summer, MTG has been working on a production of The 25th Annual Putnam County Spelling Bee, a musical comedy telling the story of six middle schoolers as they compete to become a spelling champion.
Inmost Thoughts, a cautionary tale
This summer, the MIT Student Cable Club (Radical Rat Studios) put out an 11-part web series called Inmost Thoughts. The series was filmed on MIT’s campus and the setting has a sort of hackathon-project-presentation feel to it. The story revolves around a mind reading device, and the qualms privacy advocates have with such a technology. The story follows Vivian (Sally Guthrie ’14), Melanie (Carolyn Vasko), Daniel (Ari Smith ’14), and Wendy (Nicole Dalton). Vivian spends a good deal of the series trying to convince Melanie that the mind reading device will help humanity, and conversely, Melanie spends most of the time trying to convince Vivian that such a device is a huge breach of privacy (although Melanie’s feelings towards the device do seem to fluctuate between revulsion and mild interest). Overall, the series is a thought-provoking and humorous reminder of the morally gray areas that accompany cutting-edge technologies.
Never Shout Never is back with Black Cat
I used to listen to Never Shout Never all the time in high school. I first discovered the band when I saw them live at a local music festival back home; they were just an opening act for some band that I can’t remember the name of. Ukulele and light acoustic guitar made up the base of their instrumentals, and that’s what really caught my attention — I was just learning guitar at the time, and their music was simple enough for me to play. I was excited when I learned that they were releasing a new album, Black Cat, this August.