Fired up, dumbed down? William F. Buckley and the decline of political discourse
Lamenting the state of American political discourse is a popular refrain at present, and it’s not hard to see why. At a time when offensive statements from the likes of Donald Trump and Ben Carson serve not as campaign-ending gaffes but as anabolic steroids for the presidential horse-race; when blowhard cable news anchors generate much heat but little light on the issues de l’heure; and when social media has opened up a whole new realm for shocking anger and abuse, the desire to tune out of political speech altogether and only pay attention biennially and briefly has never been stronger. MIT Professor Heather Hendershot’s forthcoming book, Open to Debate: How William F. Buckley Put Liberal America on the Firing Line — which she introduced at an Oct. 22 colloquium — could not be more timely, with its simple central question: how, exactly, did it come to this?
A visual feast at the ballet
Men balancing on each other like surfboards, women perching precariously on their partners’ napes, a human truss forming from a lattice of dancers – these were some of the radical visual treats greeting the audience in this season’s opener at the Boston Ballet. A surprising 40 years since its inception, this production marks the first performance by a North American company of John Neumeier’s Third Symphony of Gustav Mahler.
Author Emma Donoghue talks to The Tech
Told from the perspective of 5-year-old Jack (Jacob Tremblay), Room, a 2010 novel by Emma Donoghue, is a captivating tale about Jack and his mother, Ma, who are confined to a small room with no exposure to the outside world. Except for the occasional nighttime visit from their captor, Old Nick (Sean Bridgers), Jack and Ma (Brie Larson) spend all of their time with each other, playing games, watching TV, and reading books. Ma knows what lies beyond the walls, but as far as Jack knows, the room is his entire world.
A visionary icon, closed end-to-end
It is undeniable that Steve Jobs, through the technical innovations he spearheaded as the head of Apple Inc., profoundly impacted the way we relate to our machines and, through them, to each other.
Framed in conversation: Bridge of Spies
The Glienicke Bridge, today a mundane cantilever thoroughfare, was once a gateway between East and West Berlin, between two ideologies opposed for decades on the brink of war. Yet, instead of the Glienicke’s becoming a Cold War battleground, it was a symbol of freedom and diplomacy. At its midpoint, high above the Havel River, dozens of captured agents crossed over to their countrymen on the other side between 1962 and 1986. Its four prisoner exchanges between the Soviets and the West across two decades, seminal moments in Cold War history, gave rise to the Glienicke’s enduring alias — the Bridge of Spies.
If you ever need help procrastinating
If you are a frequent reader of the comics section of The Tech, you’ll be familiar with Piled Higher and Deeper, the home of the chocolate-loving Cecilia, the consistently unproductive Mike Slackenerny, and our lovable, flawed, and forever lost-in-purpose Nameless Hero. These slice-of-life comics portray the unfortunate (for them) but hilarious (for us) day-to-day struggles of graduate students. A live-action film adapted from Jorge Cham’s PhD Comics, The PhD Movie 2 follows the paths of Winston, the Nameless Hero who is finally graced with a name, and Cecilia.
The Tech talks to Steven Spielberg
Steven Spielberg is a man with great respect for history. Early in his four-decade career, his films were archetypes of Hollywood blockbusters — the modern adventure and sci-fi genres were built upon Close Encounters of the Third Kind, Raiders of the Lost Ark, and E.T. the Extra-Terrestrial, among his other works. He then sojourned into new territory, broaching humanistic themes in critically acclaimed historical dramas. His WWII-era portrayals of the struggles of two remarkable men in Schindler’s List and Saving Private Ryan showed that he had the skill and tenacity to recreate pivotal events in history through cinema.
A rousing mixture of old and new at the BSO
The Boston Symphony Orchestra moves from strength to strength, following its successful season opener with another exceptional program — putting together a new composition by Sebastian Currier, Beethoven’s Piano Concerto No. 3 in C Minor, and a particularly spellbinding rendition of Brahms’ Symphony No. 2.
An eye-catching trip to Neverland
The story of Peter Pan is as ageless as Peter himself — what began as a 1904 play by J.M. Barrie is still culturally relevant a century later. There are musicals, movies, video games, and an entire Disney franchise based on the boy who wouldn’t grow up. Maybe it’s because we’ll always cherish the idea of eternal youth, or maybe we just really like pirates.
Teenager shot by an ideology reveals some personality
Nobel Peace Prize laureate Malala. This 18-year-old girl is known as an activist who speaks up for female education and equality. After learning the importance of education through her parents, who ran several schools in Pakistan, she blogged for the BBC and stressed educational equality to the public. She survived a shooting by the Taliban at the age of 15.
Artist and theoretical physicist present kinetic sculpture
This past Monday, Kim Bernard, artist in residence at Harvard, visited the MIT List Visual Arts Center to speak on her sculpture, which had been inspired by the “predictable patterns in matter and motion.” Jacob Barandes, a physics lecturer from Harvard, accompanied Bernard to provide a physicist’s perspective on her artwork. Bernard and Barandes presented as part of the Catalyst Conversations lecture series, which hosts speakers who explore the intersection of visual art with science and technology.
Heroes Reborn offers a compelling second chance for disillusioned viewers
I was about 50 percent excited and 50 percent nervous about Heroes Reborn. I had watched the show here and there when it was in its first season back in 2006, but it wasn’t until sophomore year of college (when I bought my very own Netflix account) that I got hooked on the series. I spent a week binge-watching the first and second season, but I gave up on the third and fourth, understanding what people meant when they said the show was going downhill. I liked the comic-book feel to the show: overused tropes aside, who doesn’t like a story packed with superpowers?
BSO opens 135th season with an all-Russian program
The Boston Symphony Orchestra opened its first concert of the season in a fashion that reflected the all-Russian program: quick and to the point. Upon entering, conductor Andris Nelsons was greeted with a standing ovation; however, the audience barely had time to sit down before the BSO began Shostakovich’s playful Ninth Symphony. It was easy to appreciate the lightness of the strings and winds juxtaposed with the fanfare of the brass. I found myself captivated by Nelsons’ conducting, which conveyed excitement and scrutiny to detail, and the way the orchestra responded in kind. Navigating through Shostakovich’s bright Allegro, his eerie Moderato, and his loud Presto, the musicians demonstrated their versatility in both technical and emotional depth.
Electronic lyricism
I jump late onto most bandwagons — many of my favorite artists are inactive, and for a year or two, Metric belonged to that unfortunate club. Their unique blend of electronic and traditional rock instruments, as well as their profound and relatable lyrics, captivated me. Old World Underground, Where Are You Now? (2003) was one of the first albums I listened to in its entirety, and I was surprised to find that I loved every single track. Since the group seemed to have disappeared, I was stuck cycling between the same few albums. My musical limbo ended Sept. 18, 2015, with the release of Pagans in Vegas.
If only NASA had funding
Big-budget science fiction is experiencing something of a renaissance. Director Ridley Scott’s The Martian follows a string of commercially minded, studio-backed sci-fi movies, including Interstellar and Gravity, which play out small-scale personal dramas on a big-scale stage (outer space).
Maya Beiser reimagines classic rock with her cello
Last Friday, I made my way to the front row of Kresge Auditorium to witness Maya Beiser’s Uncovered concert. Jherek Bischoff stood on the left of the stage with his Hofner bass (similar to Paul McCartney’s but with F-Holes), the drummer, Matt Kilmer, was all set with his sticks, and Maya Beiser positioned herself in the center, with her electric cello.
Boston Calling
Boston Calling took place in City Hall Plaza this past weekend, and the entire area buzzed with energy and excitement the whole time. Surrounding the two stages were dozens of tents where local companies and vendors sold food, flower crowns, and handed out samples. People flowed in and out between performances, but there was also a constant, huge mass of people right in front of the stages, waiting for the next performer to come out. The energy increased greatly during performances, fed by both the performers’ and the crowd’s excitement to be there. The crowd danced and sang along with the performers, all whilst cheering, tossing around beach balls, and waving their arms and blue light sticks along to the music (in the attempt to join the camaraderie, someone even waved his crutch instead). Boston Calling is truly an event that captures the youthful and fun personality of Boston.
A tale of two generations
When I first saw the theatrical release poster for The Intern, starring Robert De Niro and Anne Hathaway, I thought that I was in for a Devil Wears Prada part two — but I was only partially right. While The Intern is vaguely reminiscent of Hathaway’s breakout film, the roles are reversed. Hathaway plays the role of Jules Ostin, the hard working CEO and founder of an online clothing retail site, About The Fit. De Niro plays Ben Whittaker, a 70-year-old widow who joins the company as a senior intern after deciding that retirement was not for him.
Pilot episodes can be rough
I was incredibly excited to hear that Fox was premiering a TV spinoff of the futuristic sci-fi movie Minority Report (directed by Steven Spielberg, 2002). The series is appropriately (or perhaps, confusingly) called Minority Report. A quick summary for those who haven’t seen the film (I do recommend it!): fast forward to 2054, the government has future-predicting “pre-crime” tech that allows them to capture criminals before they commit (or even think to commit) crimes. Tom Cruise’s character, John Anderton, realizes that these methods are not completely reliable and can imprison innocent people. I enjoyed the movie version — I thought it was philosophically interesting and the plot was engaging and constantly thrilling. Minority Report, the TV show, however, leaves much to be desired.
Stand-up comedy and science collide at BAHFest
This past Saturday, students and visitors filled MIT’s Kresge Auditorium for the third annual Festival of Bad Ad Hoc Hypotheses. Created by Zachary Weinersmith, author of the Saturday Morning Breakfast Cereal webcomic, BAHFest featured the outlandish theories of six speakers who competed to give the best argued, most nonsensical scientific presentation.