A picturesque brunch at Loyal Nine
Weekends were made for brunch, and the recent polar-chill weekend was no exception for me and my buddies, Julia and Krystal. We ventured over to Loyal Nine in the East Cambridge area, and we were welcomed into a light-filled, rustic-themed restaurant. Our booth’s raw wooden seats looked (and felt) as if they just came out of a woodworking shop, and our napkins were what I like to call “faux washcloths” — those white square linen cloths with a single washed-out blue stripe. The water came in a pour-it-yourself tall bottle, and I could see a bit of the open kitchen on the other side of the room. The ambience was the perfect recipe for an artsy Instagram post, but their actual food recipes could have used some help.
Moore’s war of hearts and minds
The title of Michael Moore’s latest documentary, Where to Invade Next, seems to reflect ambivalence on the part of its creator. It is after all no coincidence that Moore’s trio of breakout box office hits — Bowling for Columbine, Fahrenheit 9/11, and Sicko — appeared during the administration of his antagonist-in-chief, George W. Bush. Though no one would pretend that mass shootings have subsided since the release of Bowling for Columbine, the election of President Obama saw the formal end of the Iraq War and the passing of health care reform — the subjects of Fahrenheit 9/11 and Sicko, respectively. The working title of Moore’s latest project might as well have been, What To Tackle Next?
Ann Hirsch: “Sexy” (Un)Sublimated
I had never been in MIT LIST’s project exhibition room before. It was smaller than I expected, and yet somehow this almost claustrophobic quality lent itself to Ann Hirsch’s work. The darkened room was illuminated by the screens dotted about the walls, and the tiny crackles from the adjacent headphones were sporadically drowned out by the main speakers. With white fur rugs and black bean bags on the floor, it was easy to attach oneself to a screen and become immersed. This learned transportational quality of screens — our ability to willfully submit to their immaterial reality and allow it to transcend our surroundings — became more visible and reflexive as I explored each piece.
The NYC record industry comes to life in ’70s rock drama Vinyl
He’s a record man. Snorting coke in his car, his personal life on the verge of collapse, wanted for questioning for murder, trying to escape. Escape everything.
Mack Avenue Superband: jazz legends, educators
The Mack Avenue Superband, an energetic and star-studded six-piece jazz ensemble, performed at the Berklee Performance Center last Thursday.
That Dragon, Cancer: a powerful story about loss and its emotional baggage
“I’m sorry guys, it’s not good,” says a man in glasses and a button-down shirt, hesitance in his voice. He’s seated next to a woman holding a clipboard, her head tilted in sympathy at the receivers of this ‘not-good’ news. They are addressing our main characters, arranged on a couch facing them: a husband, a wife, and a small child who happens to be the unwitting subject of the conversation.
Remembering David Bowie
David Bowie, a legendary music and fashion icon, passed away on Jan. 10 after an 18-month battle with liver cancer. Following his death, numerous artists and public figures paid their respects to the singer via social media by thanking him for being a source of inspiration throughout their lives. Last week, the entrance to the Infinite Corridor was embellished with a banner that paid homage to Bowie through his verse from “Space Oddity,” while Lobby 7 greeted the MIT community with imagery of his eccentric outfits. Surely, every Bowie fan can cite a multitude of reasons why this icon should be remembered and appreciated, but I can understand why someone who did not follow his career might ask a simple question — why should we care about David Bowie?
Boston Ballet’s The Nutcracker: A sure sign of the holidays
Every holiday season, the Boston Ballet adorns its atrium with Christmas trees and festive laurels in preparation for its annual performance of The Nutcracker.
The Man in the High Castle
It wasn’t hard to make the decision to spend this past weekend on my couch recovering from Thanksgiving festivities by binge watching a new TV show. The real choice to make was deciding which series I should spend my precious long weekend devouring. Eventually, I settled on Amazon Studios’ new alternate history sci-fi series The Man in the High Castle. The show is based on a novel of the same name by Philip K. Dick (Blade Runner and Minority Report were also based on his work), was created by Frank Spotnitz (a writer and producer from X-Files), and has Ridley Scott (director of Alien, Blade Runner, Gladiator) as an executive producer. From this line up alone, I expected a pretty epic series.
Trumbo offers a shallow take on Hollywood’s writer’s bloc
It seems more than a little fitting that Jay Roach’s new biopic, Trumbo, is classified as a ‘Drama’ for the forthcoming Golden Globes in spite of its studio’s preference for it to be considered in the less competitive Comedy category. This is fitting not only since Trumbo is a movie that doesn’t quite know what it wants to be, but also because it betrays the navel-gazing, self-referential tendencies of Hollywood that the movie initially seeks to satirize but ultimately falls victim to itself.
An enchanting trip Into the Woods
For their fall production, MIT Musical Theatre Guild’s (MTG) took on Into the Woods, one of Stephen Sondheim’s most treasured musicals. It’s got fairy tale characters, an endless stream of wishes, and a charming sense of humor. The musical follows a childless baker and his wife, and their quest to break a witch’s curse, where they must journey through the mysterious woods to obtain a set of items for the witch. During their adventure through the woods, their paths intertwine with those of the characters from Little Red Riding Hood, Jack and the Beanstalk, Cinderella, and Rapunzel, and the plot thickens once the characters begin arguing over questions like “What is right?” and “What should I do with this giant in my backyard?”
A make-your-own hummus bowl eatery opens up in Kendall
Fast casual eateries seem to be popping up left and right these days, and I think it’s wonderful. Bon Me and Clover are two great local ones, and I never have anything against Panera or Shake Shack, even if they are national chains. Compared to the average sit-down restaurant, they save time and money, and the quality of food isn’t too shabby either.
The Pearl Button would be better off as two separate documentaries
The Pearl Button promised to be a poetic and thought-provoking documentary about Chile’s 2,670 miles of coastline and the significance of water for indigenous tribes in Patagonia (a region that includes Chile and Argentina as well as several South American islands). I didn’t know much about the history of Chile or its native peoples, but I was eager to learn. The documentary, however, did not live up to my expectations, and I was rather surprised by how uninspiring I found much of the film. Its slow pace and low information density makes each scene drag on — I often expected a scene to cut minutes before it actually did. Guzmán incorporates voice-overs, photographs, interviews with tribal elders, grainy black-and-white clips, outer-space CGI (which felt supremely out of place), and long takes of coastal scenery (which were beautiful, and perhaps the best part of the experience). However, the documentary’s biggest weakness is that it is abruptly split into two seemingly disjoint parts.
Brooklyn holds a mirror up to every college student
Anyone on this campus knows what it feels like to leave home for a new place. The sights and sounds are different, the culture unfamiliar, the knowledge eye-opening. Everything around you is new — but surprisingly, after some time, you discover that you are new as well. Every experience starts to impact what you believe, how you act, and eventually, the very core of who you are. And never has this evolution been so perfectly captured as in the film Brooklyn.
Double, double toil and trouble
Along the spectrum of villains and traitors, Macbeth falls somewhere between Brutus and Joffrey Baratheon. Spurred on by his wife’s ambitions, he murders his king, his best friend, and a whole family in order to gain and keep the throne. With all the aspirations of a would-be ruler, but none of the guts, Macbeth is truly an unsympathetic character. But what if someone other than Lady Macbeth were pulling his strings? What if the events of Shakespeare’s classic play were actually orchestrated by a cabal of witches?
Cold War Kids at the House of Blues
Given that this was my first time at the Boston House of Blues, I was underwhelmed by the grimy building and the barely filled general admission section. Was this really the iconic Boston venue that had been graced by artists like Miley Cyrus, Chance the Rapper, and this time, the Cold War Kids?
An evening of strings with Pinchas Zukerman
The Boston Symphony Orchestra continued its wide-ranging selection of fall programs with a collection of works by Tchaikovsky, Elgar, and Schubert, featuring guest conductor-violinist Pinchas Zukerman last weekend.