Marcelo Lehninger, the young Brazilian-born Associate Conductor of the Boston Symphony Orchestra proved himself worthy of widespread praise Saturday night. Leading the BSO through program centered around Beethoven’s Symphony No. 5 in C Minor Op. 67, Lehninger captivated the audience’s imagination and left them awestruck.
Last Saturday evening I had the pleasure of watching the Boston Symphony Orchestra’s 2014 Fall Season premiere. But before I got there, I had to actually get there, a process that no one had really explained to me before. So, for all the other hapless fools like me out there, here is how to get a ticket to watch a BSO performance.
“The people of Edinburgh aren’t… dying… QUICKLY ENOUGH!!!” Here cry the despairing voices of the schools of anatomy. The cadavers are running low, so study is restricted. Gravedigging is illegal, and only those who die as criminals or as otherwise properly indicated by the state are allowed to be sold for science, so supply is limited.
The Breadwinner is an undeniably beautiful movie and story. The strength of the women in the family to survive is evident by all the sacrifices they make.
Since the publication of God of Small Things nearly twenty years ago, critics and fans have been waiting for the next big thing that Arundhati Roy comes up with. With Ministry of Utmost Happiness, Arundhati Roy makes the wait worthwhile...
Throughout the movie, Lady Bird and her mother’s conversations slip to and from endearing moments of mother-daughter synchronicity to irate bickering in a way that is both hilarious and entirely familiar.
Two-time national champion Harding was infamous in the early 90s for her association with the knee-smashing of her biggest skating competitor, Olympic medalist Nancy Kerrigan.
The book has overarching themes of class and plot devices typical in a story where there are haves and have nots. There’s an interesting amount of detail about how the moon colony would function from an engineering perspective, which immediately engaged me.
In what begins with a lurch but slows to a crawl, director and writer Scott Cooper’s film ‘Hostiles’ has us wishing for dynamic dialogue and a more succinct and surprising script.
Twice, Molly Bloom falls from grace: first her Olympic skiing accident that puts her out of the contest; next, her arrest for running poker games that marks her as a felon. Brilliant law student turns criminal as she buries herself deeper into the world of the elite.
Imagine a William Shakespeare (George Olesky) who isn’t quite as eloquent as his plethora of plays would imply. At the beginning of Shakespeare in Love, this is the version of Will we get: writer’s block, broke, and losing his faith in his own career as a playwright and a poet.
A woman scribbles rapidly into her old, worn-out notebook in the dim light of the bar. There’s a world buzzing around her, but the only things she sees in her peripheral vision are the dark colors of the counter and the clear bubbles in her drink. She’s focused on her writing, finding words for the feelings pulsing through her.
It was nice to be in a theater seat, not jostling for a view of the stage, able to lean back and soak in the untroubled vibrations of Rostam’s creations. There was something very special about being able to hear tunes I know and love performed live, but not feeling pressured to shout along, or cheer louder than anybody else.
Bejar, along with the half dozen other members of Destroyer performed at The Sinclair near Harvard Square. Much like the opening lines of “Tinseltown Swimming in Blood,” from the latest album Ken, the group’s performance featured wonderfully colorful and evocative phrases that complemented each other with a surprising and wonderful strangeness.
Her brilliant mind and her strong will led her daughter to call her “ahead of her times as a feminist.” In addition to her inventions, she produced 18 films, something unheard of from a woman, in addition to being a single mother to her two kids.
Yes, it’s campy and over the top, but it’s also a bucketful of fun. If you can’t handle absurdity — don’t go; otherwise, you will have a great time!
Conductor Blomstedt and the BSO employ Mozart to show that repetition is, in fact, beautiful.
Chris Babu ’97 graduated from MIT with a mathematics degree and worked on Wall Street as a bond trader for 19 years. But since then, despite being told he was crazy to not stay in finance, he’s changed his career to a novelist.
Nestled right outside of Harvard Square, Waypoint is Michael Scelfo’s second restaurant after the excellent Alden & Harlow. Featuring beautiful coastally-inspired dishes, elegant modern décor, a carefully curated raw bar, and prices to match, Waypoint is the type of nice restaurant you might not expect to find MIT students very often.
The triple bill showcases three of today’s most prominent choreographers — Jorma Elo, Justin Peck and William Forsythe — each faced with the challenge of bringing shape to sound through a non-narrative work. This grants us the rare opportunity to compare and contrast their unique takes on George Balanchine’s classic charge, to “see the music, hear the dance”.
‘Gringo’ combines a story full of drugs, corruption, and action with an all star cast to somehow create a movie that is not equal to the sum of its parts.
The Berklee Popular Music Institute (BPMI) connects student and alumni musicians with students studying management to give aspiring professionals a taste of life in the music industry. Hoping to be the next St. Vincent or Passion Pit, two of BPMI’s more notable alumni, five musical acts were chosen from over 300 submissions to perform at the Sinclair.