Dishonored: a clever blend of action and stealth
It’s rare to come across a proper stealth game these days — by which I mean it is so rare that it’s hard to know if what I consider good stealth games are even stealth games at all. Maybe it’s the stealth genre that I dislike, and I just happen to enjoy a couple games that call themselves stealth games.
Ellipsis, an open-ended approach to music
MIT alumna Amanda Wang ’03 performed on the violin in Killian Hall last week with her group, the Ellipsis Piano Trio. Having just finished her doctoral degree in music at Boston University, Wang also competes with the MIT ballroom dance team. She took time Sunday afternoon to tell us about her experiences with engineering and music.
The Golden Globes
This year’s Golden Globes awards ceremony, hosted by Tina Fey and Amy Poehler, aired Sunday night from Beverly Hills.
The evolution of art
Rare are those who profess a love for every kind of art, and rarer still are those who actually have time to read about all of it. With the sheer volume of media that bombards us on a daily basis, is it even feasible to break art down into smaller, more digestible pieces? Luckily for the rest of us, art historian Michael Bird has written a book that caters to every sort of art lover, from novice art historian to seasoned museum-goer. 100 Ideas that Changed Art explains art’s long history in bite-sized chunks, covering topics ranging from cave art to the Internet.
Under Pressure?
Stressed over too many p-sets? Three exams and a few papers in a week? We’ve all been there. The Tech ran a quick poll to see what students listen to when they’re feeling overwhelmed. Here’s the list of MIT’s most popular de-stressing songs.
From Africa to MIT
Arthur Musah ’04, MEng ’05, who graduated from MIT in Course 6, left Ghana to come to the Institute in order to pursue a world-class education and engage in the global conversation. Like Musah, five students — Fidelis Chimombe, Mosa Issachar, Sante Nyambo, Billy Ndengeyingoma, and Philip Abel — left their respective home countries of Zimbabwe, Nigeria, Tanzania, Rwanda, and Nigeria, and One Day I Too Go Fly aims to chronicle their four years at the Institute and how their identities are molded by their experiences.
Looking back, moving forward
On Sunday, November 18, Yellowcard played before a sold-out crowd in the Boston House of Blues after performances from special guests The Wonder Years and We Are the In Crowd. The concert lasted nearly two hours and consisted of a twenty-song setlist, three of which were performed during the encore.
The resurrection as a case study in evidence versus faith
In his recent book Atheism and the Case Against Christ, Matthew McCormick, a professor of philosophy at CSU Sacramento, takes issue with the most fundamental claim of Christianity: Jesus came back to life after being dead for three days.
Are you me, am I you?
As I entered the theater hall of Boston’s Institute of Contemporary Art, I saw two dancers standing statuesquely on pedestals, dressed in the strangest ensemble of garments and jewelry. As the audience settled down into their seats, they couldn’t help but glue their eyes to the stage, where the dancers slowly let each item drop onto the floor, one by one. And then, in the complete silence of the theater, they rapidly removed all the colorful clothes to uncloak their unadorned bodies, dressed in grey T-shirts and tights.
Maps of the world, in print
There are several reasons why it is handy, at least for me, to have an atlas. First, as part of my work at MIT I get to interact with people from all over the world, and I like to see on a map the exact place they call home. Second, as part of my role as father of a very curious four-year-old girl, I get to answer many questions about places I visit (“Where is Germany?”), places where her favorite animals live (“Where are the lions?”) and places where we have loved ones (“Where is abuelita’s house?”). Finally, sometimes I just need to know where a place is, either because something is happening there (e.g., South Sudan) or because I heard about it and realized I had no clue where it is.
Old school tactics, new school graphics
One of my earliest memories as a gamer is from the age of 10, playing XCOM: Terror From The Deep (1996). I didn’t own the game — some neighbors did — but when I’d finished my chores (and sometimes when I hadn’t), I’d bike over to their house and hijack their computer for as long as was socially acceptable (and sometimes longer) to fight the alien invasion.
From Bach to the Rolling Stones
When I first looked at the brochure for the Fall Program of Boston Ballet, I was intrigued by the fact that the first piece, Rooster, choreographed by Christopher Bruce, was set entirely to the music of The Rolling Stones in the ’60s.
A glimpse into the world of fashion
“These images are probably the most acute examples of everything I cherish” is how Mario Testino describes his debut museum exhibition in the United States. On display at the MFA, Mario Testino: In Your Face is a collection of 122 photographs drawn from the last 30 years of Testino’s work.
How many MIT students does it take to tame the shrew?
The MIT Shakespeare Ensemble prides itself on keeping a textual interpretation of the classic works while adding a modern twist to keep the plays fresh — and this is certainly true of their latest production, The Taming of the Shrew. The play follows the story of Katherina and Bianca, daughters of the wealthy lord Baptista. Because of Katherina’s shrewish disposition and Bianca’s desirability, Baptista decides that he will only marry off Bianca if Katherina gets a husband first. So begins a crazy journey of deception and false identities: Lucentio, Tranio, and Hortensio compete for Bianca’s hand in marriage, while Petruchio of Verona is the only suitor brave enough to deal with Katherina’s sass.
Six stories, three directors, one Cloud Atlas
Once in a while, a film transcends its medium and stands alone as a work of art. Cloud Atlas is such a masterpiece. Of course there are details that can be critiqued, but it is useless to scrutinize these details because they are insignificant in comparison to the important message the film relays.
The other side of love
In This Is How You Lose Her, Junot Díaz, MIT Professor of Writing, recipient of the Pulitzer Prize in 2008 and recent winner of a MacArthur Genius Grant, speaks on love. We’ve all heard love stories before, so in the strictest sense this book isn’t anything new. A mother’s devotion to her family and love for her children drives her to withstand crippling captivity in fettered domestication; an older brother abuses his family in protest over his own medical decline; a cheater faces the cold, splintering reality that he’s fucked up one too many times and the love of his life is gone for good.
Remembering the days the abyss gazed back
When a reporter mentioned the Cuban missile crisis during a White House briefing, then-press secretary Dana Perino “panicked a bit” because she didn’t know what it was. “It had to do with Cuba and missiles, I’m pretty sure,” she ventured. One day in particular, Oct. 26, 1962 (exactly 50 years ago) was arguably the single most dangerous moment in human history, with the United States and the Soviet Union on the verge of unleashing upon each other thermonuclear Armageddon. Ms. Perino’s candid admission is often depicted as a funny, self-deprecating anecdote. Call me paranoid, but it gave me goose bumps: I think such a pivotal event, and the lessons it taught us, should not be forgotten.
ARCHITECTURE@MIT: More than objects
This is the second of a two-part Q&A series spotlighting two campus pavilion projects designed and built by MIT Master of Architecture students.
Back to the grind
If you played the original Borderlands and liked it enough to do a second playthrough, there is no point in reading this review past the next sentence. Borderlands 2 is worth its cost at $60; it has everything the original has, plus a real plot and an almost seamless co-op multiplayer experience.