From Bach to the Rolling Stones
When I first looked at the brochure for the Fall Program of Boston Ballet, I was intrigued by the fact that the first piece, Rooster, choreographed by Christopher Bruce, was set entirely to the music of The Rolling Stones in the ’60s.
Are you me, am I you?
As I entered the theater hall of Boston’s Institute of Contemporary Art, I saw two dancers standing statuesquely on pedestals, dressed in the strangest ensemble of garments and jewelry. As the audience settled down into their seats, they couldn’t help but glue their eyes to the stage, where the dancers slowly let each item drop onto the floor, one by one. And then, in the complete silence of the theater, they rapidly removed all the colorful clothes to uncloak their unadorned bodies, dressed in grey T-shirts and tights.
BALLET REVIEW Pure movement, pure beauty
Tearing myself away from campus during the MIT150 open house to watch Bella Figura was a difficult feat. But as I watched the ballet, I knew it was a worthy sacrifice. I glued my eyes to the stage, completely blown away by the beauty of movement and the emotions that the dancers imparted to the audience.
BALLET REVIEW Dances with words
As I sat nervously in my seat in the enchanting Boston Opera House, many thoughts about Elo Experience raced through my mind. Would I be able to comprehend his work with my limited knowledge of ballet? Would I know what he is trying to say? But Elo’s words dissipated my concern: “I hope the audiences come with no expectations. I want them to arrive at the theatre with open hearts and open minds.” So I sat up straight, put on my glasses, and immersed myself in the magic of movements that were about to happen on stage.