A lighthearted take on John Green’s novel
It was about 1 a.m. the night before the screening, and I had just put down John Green’s Paper Towns. I had read his other books in high school, but for some reason, Paper Towns had evaded my bookshelf. Of course, reading the book could have been a huge mistake, biasing my view of the movie — after all, book fans seem to be set up for eternal disappointment at the theater. As expected, there were changes, additions, and some things that were integrated differently or left out completely. But John Green was an executive producer for the film, so fans can rest assured that the heart of the novel has been carefully transplanted from paper to the big screen.
Don’t you wish your last MRI was this much fun?
Self/less isn’t a boring film, but the trailer suggests a film more philosophically engaging than it ended up being. In fact, if you see the trailer, you don’t really have to attend the movie to know what it’s about, and most people will be able to predict each turn of events. Like I said, it isn’t boring — there are some exciting scenes that attempt to add mystery and thrill — but don’t expect to be too surprised. The film presents some entertaining (though mostly unoriginal) ideas, but ultimately doesn’t deliver. For example, the concept of transferring consciousness from one body to the next in an attempt to achieve eternal youth is pretty cool to think about. However, I was supremely disappointed with the lack of imagination regarding this process — apparently if you go into a huge MRI-esque machine with a strange net on your face, you can transfer your mind into another body. Make sure to bring your suspension of disbelief into the theater with you along with your smuggled-in candy.
Signaling a new wave
In a musical era where few people can name current artists and bands other than The Black Keys and Jack White that classify as “rock bands,” the popularity of guitar-driven music, whether in the form of blues-rock, punk, or psychedelic, appears to be waning. The exploding popularity of electronic dance music (EDM) and the continued mainstream success of hip-hop has left little room for attention to the prototypical 5-piece rock band. Australian band Tame Impala has been a rare success in the broad yet shrinking genre of rock music — they’ve won Grammys, had songs featured in television shows and commercials, and have been lauded by critics for bringing much-needed innovation to a dying genre. Stepping out of their musical niche, Tame Impala has taken a bold risk with their new album Currents, which differs greatly from their previous rock-oriented music.
This movie was made on an iPhone?
I know that “heart-warming” isn’t an adjective you’d usually associate with a movie set around the sex-trade industry in Los Angeles, but let me tell you, Tangerine is a heart-warming film — forgiveness and acceptance are key themes throughout the movie.
Róisín Murphy — Hairless Toys
When her longtime romantic relationship and music collaboration with Mark Brydon — the other half of the now-defunct electronic music duo Moloko — ended, Róisín Murphy swiftly launched her solo career with the 2005 album Ruby Blue. A peculiar and refreshing record, filled with unusual combinations of brass instruments, dance rhythms, and sounds taken from everyday life, Ruby Blue garnered very positive reviews from the critics and showed that the Irish singer and producer was not going to be overshadowed by her history with Moloko.
Jurassic World rips its way to the record charts
Playing off childhood nostalgia and obscene levels of hype, Jurassic World was poised to make a record-shattering opening weekend. And it did, beating Marvel’s Avengers for the highest-grossing opening of all time.
Listen up United States, Desparecidos has a lot to say
It’s been 13 years since Desaparecidos released its first album Read Music/Speak Spanish, but fans can rest assured, Payola picks up where it left off. The lyrics are politically-charged, anti-capitalist calls to action, delivered with a sting that is to be expected from the band’s frontman, Conor Oberst (best known as the lead singer of Bright Eyes). Oberst simply isn’t having this generation’s apathetic attitude — he criticizes complacency and slacktivism (“Donate a dollar with my coffee and save someone / Calling all friends I loosely know / We’re a tight knit clique in the virtual”). The group released Read Music/Speak Spanish when the United States was just beginning to recover from 9/11, the economy was crashing, and the Iraq War was just beginning. It’s fitting that Payola was released just as candidates begin to announce their intentions to run in the 2016 presidential primaries.
Inside Out is so much more than just a kids movie
As far back as I can remember, Pixar films have been a part of my childhood. I grew up watching Toy Story, Monsters Inc., Finding Nemo, etc. — films that fueled my imagination, filled me with wonder, and most importantly, kept me amused. I loved these films as a child, and it is safe to say that this love has never diminished. Unlike many other childhood favorites that I now dismiss as being simpleminded, vapid, or even wholly unenjoyable, I still cherish Pixar’s entire repertoire because they create visually beautiful, heartfelt, and timeless movies.
REVIEWER’S NOTEBOOK: Terminator Genisys is mankind’s worst migraine
I’d promised Sonya I’d get her into a press screening. I’d also promised her she could choose which one...
A movie for dog-lovers, and dog-lovers alone
Max is a touching story about a marine dog who suffers from post-traumatic stress disorder after losing his handler, Kyle, in Afghanistan. As Kyle’s family tries to figure out the circumstances leading to his death, the movie tugs at heartstrings with its portrayal of the agile, strong, and loyal dog, Max, helping them at every stage. Max is the highlight of the film, which is very aptly named — the plot and acting are not extraordinary.
The Wolfpack: A chilling documentary that raises many questions, and even more concerns
Oscar and Susanne Angulo were terrified of living in New York City — terrified of the government, and terrified that their children wouldn’t learn to think for themselves and would be bullied into using drugs. Oscar forbade his children to leave the apartment or to have contact with anyone outside of their immediate family. He believed that employment would make him a slave, so the household’s only income was what Susanne received from the government for teaching her homeschooled children. Oscar imposed strict rules on the family’s life in isolation, going so far as to specify which rooms of the house the kids could occupy at any given time. In one particularly heartbreaking scene, Susanne hints that the rules were even more oppressive for her (if one can imagine such a thing), and the children reveal that their mother had suffered violent abuse at the hands of her husband. Perhaps the only thing the kids liked about their dad was that he brought thousands and thousands of movies into the home for them to watch and memorize (some of their favorites include Reservoir Dogs, Pulp Fiction, and The Dark Knight).
Pitch Perfect 2 is far from perfect
Pitch Perfect 2 is the long-awaited sequel to Pitch Perfect, released in 2012. The film opens with the Barden Bellas, now seniors in college, performing for Barack Obama. The performance goes terribly wrong after a wardrobe malfunction results in Fat Amy (Rebel Wilson) flashing the audience. This incident leads to the team’s suspension, and Beca (Anna Kendrick) strikes a deal that will allow the Bellas to be reinstated under the condition that they win the Acapella World Tournament. The rest of the film follows their shenanigans and mishaps as they make it through their final year of college and prepare for the final competition.
The Grief of Others
I had the opportunity to attend a screening of The Grief of Others with the director Patrick Wang ’98. Wang studied economics and concentrated in music and theater arts at MIT, and went on to direct theatre and recently, film. His first film, In the Family, was critically lauded and rightly so. The Grief of Others, his latest film, just showed at the Cannes Film Festival. Wang left early from the screening I attended at Harvard to go to the Festival; as a result, I did not get the chance to ask him about the film. But I did get the chance to ask the author of the eponymous novel on which the film is based, Leah Hager Cohen, about one of the film’s final shots.
Poltergeist (2015): lots of action, some comedy, hardly any horror
This remake of Steven Spielberg’s Poltergeist (1982) sees a jobless couple and their three children move into a new home that fits their budget. Griffin, their ten-year-old son, lives in the attic, where he experiences frequent nightmares and finds frightening clowns in the closet. To make things worse, he also finds his younger sister Madison talking to mysterious objects through the TV in the middle of the night. “They’re here,” she claims ominously. His parents disregard his nervousness and their youngest daughter’s sleepwalking until one night, their house is attacked and Madison is taken. The Bowens discover that their house was built on what was an old cemetery, moved to make way for construction. To cut costs, the construction company moved the headstones but left the bodies — leaving the Bowens to deal with some extremely unhappy poltergeists looking to move out of the limbo they are stuck in.
Edge of Vision engages the senses with three diverse dances
Boston Ballet’s Edge of Vision, a three-part performance featuring original choreography and eclectic music, grips its audience with stunning sensory detail.
United Nations’ first VR film pushes the bounds of empathy
Virtual reality has always been framed as the next big thing in gaming, but if the United Nations has anything to do with it, it will be the next big thing in humanitarian aid.
The Butterfly Effect
I recall a conversation I had with a friend about the future directions of Kendrick Lamar’s music career about six months after his first studio album Good Kid, M.A.A.D City was released. The album was a cohesive, thoughtful exploration of teenage life in Compton, and fans and critics alike received it as a defining album for hip-hop. Where could Kendrick possibly go from here to avoid being cast as a one-trick pony? It was clear Kendrick had the potential for rap greatness, but it was unclear whether this would be the sort of iconic status enjoyed by Jay Z or the niche appeal and recognition enjoyed by Nas.
Blake Lively stars in The Age of Adaline
Blake Lively is known to our generation for her glamorous role in the TV show Gossip Girl. Though the show has since ended its six-season run, Lively’s style and smile have found their way back to the screen in the movie The Age of Adaline.
Leonardo da Vinci and the Idea of Beauty
From now until June 14, Boston’s Museum of Fine Arts is featuring an exhibit on Leonardo da Vinci’s drawings. In a more refined way, the exhibit is analogous to the behind-the-scenes reel of a movie — you won’t find his most famous paintings like the Mona Lisa or The Last Supper. Instead, the exhibit features an intimate series of sketches and drawings, ranging from portraits of women to the anatomy of a bird. Many of the featured works are loans from Italian collections, including the Uffizi Museum in Florence, and the Biblioteca Reale in Turin.
Dior and I: A look into one of the world’s most renowned fashion houses
Christian Dior was a renowned French fashion designer who founded one of the world’s top fashion houses (named after himself). Dior and I follows the newly appointed creative director Raf Simons as he works under the pressures of the fashion industry and keeping up with Dior’s legacy. Everyone is familiar with image of models strutting down runways, wearing the latest designer fashions; this film offers a rare and up-close look at the work preceding the exhibition. We witness the stages of production: sketching, prototypes, modeling, right up to the big reveal on the catwalk.