INTERVIEW Sylvia Deaton
Sylvia Deaton, 20, has been dancing since she could walk, and knew she wanted to be a professional dancer from a very young age. At age six, she began taking ballet, jazz and tap classes, and was soon participating in dance competitions and winning regional and national titles. She was inspired by Broadway shows and local ballet performances her family would bring her to, and would practice the moves at home, using her sister as a male partner and rows of stuffed animals as her audience.
THEATER REVIEW In thunder, lightning, or in rain?
The MIT Shakespeare Ensemble’s production of Macbeth summons such a strange intensity that the suspension of disbelief is hardly “willing”: we have no choice as the audience but to accept the truth of the tragedy taking place before us and partake viscerally in the trials of its characters.
MOVIE SHORT How is your research?
Jorge Cham’s Piled Higher and Deeper — Life (or the lack thereof) in Academia, aka PhD Comics have been capturing the grad student life in a humorous but always accurate way. The original newspaper and web comic strip started in 1997 when Jorge himself was a grad student at Stanford University. The comic deals with the topics that govern grad student life like struggles in research, the relationship between students and their supervisors, and most importantly, the constant quest for free food. Much material was built up over the years, and it almost seems that the movie version was long over due. Filming started in March 2011 and was a colaboration with a theater group at Caltech.
MOVIE REVIEW Tour of a painting
It starts with a sound and ends with a painting. Creaking. Voices. Echoing footsteps. The soft swish of fabric. Above all, darkness. When the scene opens, the camera slowly pans back and forth across an evolving painting: The Mill and the Cross is centered around Pieter Bruegel the Elder’s The Way to Calvary (1564), so what better way to open the film than with a tour of the painting itself?
EXHIBIT REVIEW Whirring into motion
Tucked inside a dim corner of the MIT Museum, a fun surprise awaits the viewer, or more accurately, the participant — for Arthur Ganson’s motionless sculptures spring alive at the touch of a button or the push of a pedal with seemingly little more effort than a whir of gears.
MOVIE REVIEW The Thing is …
In the 2011 prequel to the 1982 John Carpenter film of the same name, paleontologist Kate Lloyd (Mary Elizabeth Winstead) is called to Antartica for what could be the discovery of the century: an alien ship buried deep in the ice and a frozen organism that seems to have died when the ship hit Earth. Kate and her Norwegian colleagues perform experiments on the organism in the name of science but, to their utter horror, unleash an alien nightmare; this “Thing” engulfs and transforms into anything it touches. So here we have a bunch of Scandinavians and righteous Kate isolated in a cluster of wooden cabins in Antarctica, each of them vulnerable to becoming the Thing. That’s essentially the entire plot — now how do I begin to discuss The Thing?
MOVIE REVIEW Hey, does this haircut make me look like Voldemort?
50/50 is ultimately a film about friendship through hardship. When Adam (Joseph Gordon-Levitt) learns that he has a malignant tumor, his friend Kyle (Seth Rogen) and new girlfriend Katie (Anna Kendrick) try their best to help Adam deal with his emotional and physical pain. Unfortunately, Kyle isn’t the most eloquent character, and only has his mind on gettin’ some. Screenwriter Will Reiser depicts this story brilliantly — a story based on his own experience with cancer and his friendship with Seth Rogen.
INTERVIEW A chat with Philip Cohen
Sloan student Philip Cohen G has a new project — and with its original melodies, smooth bass, and powerful lyrics, it lies far outside the traditional business realm. Leaving, an album of 14 songs written by Cohen, was pre-released last month and is available on his website for free.
Born to be pink
On Saturday, Oct. 15, Betsey Johnson presented her Fall Winter 2011/2012 Ready-to-Wear collection at the Cyclorama at the Boston Center for the Arts. The models strutted down the runway in playful tartans, stripes, and animal prints to “Run the World (Girls)” and “Sweet Caroline” (with the crowd singing along to the latter). After the show, Betsey performed her famous cartwheels and splits across the runway and danced around with the models, who sported bright pink “We can do it!” tanks. The subject hits close to home for Betsey, who is a breast cancer survivor. Proceeds from the night went to the South End Community Health Center, of which her brother Bob (pictured) is president.
INTERVIEW On YouTube, musicianship, and guitars
Andy McKee is one of the best fingerstyle guitarists in America, currently signed onto the Razor & Tie record label. He is famous for achieving over 40 million views on YouTube to date for his signature song, “Drifting.” McKee is currently on the Guitar Masters tour, along with fellow fingerstyle players Antoine Dufour and Stephen Bennett. I sat down with him to chat about the tour, being a guitarist, and life in general.
EXHIBIT REVIEW From time to time
It is quite an ambitious project to create a 24-hour film. More ambitious yet is to create one without main characters, without a plot, and which comprises entirely of scenes involving clocks from other films. Yet that is precisely what Christian Marclay has done — and very effectively, too.
ARTS AROUND TOWN Staying in Boston this weekend?
In celebration of the Red Sox winning the American League in 1912, a distinguished woman attended a performance of the Boston Symphony Orchestra touting a headband with, “Oh, You Red Sox” splashed across it and caused quite a stir in the media. This is one of many stories, both true and false, about Isabella Stewart Gardner, or “Mrs. Jack.” She did nothing to deny or affirm these claims about her, and is often quoted as saying, “Don’t spoil a good story by telling the truth.”
ARTS AROUND TOWN One City One Story, more than one Scarlet Letter?
This morning I rollerbladed to Harvard to get some breakfast from Darwin’s. Paying the cashier, I noticed a little pamphlet entitled One City One Story: “The Whore’s Child.” My curiosity piqued, I picked it up and began reading it as I waited for my sandwich. I found myself drawn in instantly, and I had thoroughly devoured it by the time I had similarly finished off my sandwich.
Can an elegant book be transformed into an elegant film?
The Hedgehog proves that a film is best enjoyed if you watch it with low expectations at the outset. Admittedly, I read Muriel Barbery’s The Elegance of the Hedgehog this summer and enjoyed it so much that I was convinced that the film adaptation would be an absolute failure. After all, aren’t all movie adaptations of books at least something of a disappointment? Morbid curiosity is what drove me to watch The Hedgehog, and, well, thank goodness for morbid curiosity.
The Hedgehog explores the similarities between three very different Parisians
The Hedgehog is a French-language movie directed by Mona Achache based on the novel The Elegance of the Hedgehog, by Muriel Barbery. In the movie, unlikely encounters develop in the setting of an affluent Parisian neighborhood. The film explores the interactions between Paloma, an 11-year old girl, Renée Michel, an apartment concierge, and Kakuro Ozu, a Japanese man who recently moved to the apartment complex.
MOVIE REVIEW One Day, Dexter met Emma …
Emma and Dexter met for the first time — officially — on the day of their college graduation and got together that night. Almost. They separated the next morning, but their lives were intertwined for the next twenty years. Starring Anne Hathaway as Emma Morley and Jim Sturgess as Dexter Mayhew, One Day is a film adaptation of the New York Times bestseller of the same title by British writer David Nicholls.
BOOK REVIEW On boxes and coming out of them
Slant, the debut novel of MIT graduate Timothy Wang, tells the story of James, a gay Asian MIT undergrad. Immediately our minds start to categorize: He is gay and he is Asian, a double minority. Of course, there is more to a person than his sexuality and his race, yet somehow in the world we live in, we often find ourselves boxed along these broad lines. Add age and beauty (the skin-deep kind), and the world’s judgment on the person is very nearly delivered. This is what Slant deals with. It is not so much a story of coming out, or coming of age, or simply coming (ahem!) as it is a story of coming to terms.
MOVIE REVIEW A nerd-worthy pandemic
Imagine the chilling prospect of a deadly pandemic throwing the entire world into chaos. In Contagion, Academy Award winner Steven Soderbergh takes us on a high-pace cinematic experience depicting the emergence of a novel, highly contagious viral pathogen, and mankind’s dramatic struggle to contain the disease and find a cure. Unlike other disaster movies, the science behind Contagion is highly plausible and described in significant detail, often making the movie feel like a documentary — it’s appealing to the typical (nerdy) MIT crowd. Additionally, the movie features a star-studded cast — a key element for closely connecting with the audience and delivering an intense psychological drama. While highly ambitious and far-reaching, Contagion succeeds in being both an original artistic movie and an entertaining thriller.
THEATER REVIEW How was the show, Mrs. Lincoln?
If you are at all familiar with American history, you will know that John Wilkes Booth assassinated President Abraham Lincoln and that Lee Harvey Oswald assassinated President John F. Kennedy. You might even know that Charles Guiteau assassinated President James Garfield and Leon Czolgosz assassinated President William McKinley. But what about those who failed, like John Hinckley, Jr, attempted assassin of President Ronald Regan? Why did they do it?
OPEN-AIR ART Viewer, artist, artist, viewer
Miranda July’s Eleven Heavy Things cleverly skirts the word “sculpture,” one of those ill-defined “things” that suggests a commercial object just as often as it does an artistic one. This installation, sculptural merely by virtue of the fact that it is three-dimensional, lets us in on the artistic process and blurs the lines between creator and observer. Eleven Heavy Things originally debuted in 2010 in New York’s Union Square Park, and its journey to Los Angeles this summer came in conjunction with the release of July’s latest film project, The Future. Although I have not yet seen the film, this exhibition has certainly whet my appetite for the wacky but strangely candid ideas that emerge from July’s head.