Speed and fury at its finest
They’re back! The star-studded cast of the venerable 12-year-old franchise, with its explosive combination of fast cars and furious drivers, returns to deliver another high-octane action thriller. Justin Lin is once again at the helm of the movie, continuing his stellar directing performance on the franchise. Lin was in fact instrumental in resurrecting and rebooting the series after the first few mediocre sequels.
Movie or game?
A couple weeks ago, Nintendo declared that it was going to enforce its copyright over third-party made “Let’s Play” videos, and began demanding ad revenue from the YouTube videos of gamers playing Nintendo games.
More of the same
The latest big-screen installment of the Star Trek franchise is great news for all Star Wars fans (“Wait, wait... what?” In a minute.) Although as an action movie it may appeal to a broader audience, Into Darkness is designed to delight Trekkies, the more hardcore they are the better. It is the perfect Star Trek movie, with all the familiar trimmings of the old-school classics we have come to love.
Something new, something blue
I grew up surrounded by blue and white dishes — Spode Blue Italian, Churchill Blue Willow, Chinese rice pattern teacups. They are comforting objects, objects of beauty, but not things that I often think about.
Evoking the Arab Spring through music
The MIT Wind Ensemble (MITWE) scored a coup last Friday when PBS aired the television world premiere of MIT-produced documentary Awakening: Evoking the Arab Spring Through Music. The documentary featured MITWE’s performance of Awakening, composed by MIT alumnus Jamsheid Sharifi ’83. The piece is intended to encourage listeners to contemplate the movement that swept Tunisia, Libya, Egypt, and other Arab countries. MITWE director Dr. Frederick Harris commissioned the piece from Sharifi, a renowned New York-based composer, who felt personally connected to the Arab Spring because of his Middle Eastern heritage.
Exclusive Feature: Fandom at MIT
It’s difficult to separate the concept of nerdiness from MIT. The Coop sells stickers that say Nerd Pride, our mascot is the beaver (nature’s engineer), and Conan O’Brien pokes fun at MIT’s nerdiness on his Twitter. But is the Institute truly a nerdy place? The Tech surveyed the undergraduate population of MIT to settle this question. 1402 students — 31 percent of the undergraduate body — responded.
Time to pretend
30 percent of MIT students who responded to The Tech’s survey (427 people) have dressed up as a character from Harry Potter, Firefly, Star Trek, Star Wars, or Lord of the Rings. While many of this number are very likely casual fans who threw on a Gryffindor scarf to see the premiere of The Deathly Hallows, hidden within this statistic is a number of devoted MIT students who take costumes to the next level — cosplayers.
Iron Man Costume
One of the interesting costumes we came across was an Iron Man suit created by Brian Chan ’02, an instructor at the MIT hobby shop. “I like Iron Man because it has a good story of a self-made super hero,” he said, “Also, in the series, Tony Stark is an MIT Alum, so I think it would be a shame if none of the best Iron Man costumes came out of MIT.”
Fandom in student groups
Fandoms come in all shapes and sizes, and MIT has a smattering of several groups dedicated to different aspects of pop culture. The Tech sat with a few groups on campus to examine where fandoms fit in at the Institute. Not all groups we wished to interview were available for comment.
Fandoms, the Internet, and Harry Potter
Flourish M. Klink, a lecturer in MIT’s Comparative Media Studies (CMS) program, has built a life around fandoms. After running her own Harry Potter fansite and being on staff at Fanfiction.net, at age 13, Klink co-founded the Harry Potter fanfiction website FictionAlley with nine others. FictionAlley was “incorporated as an educational non-profit with the mission of helping people learn to write through fanfiction,” said Klink, and it was one of the first fanfiction forums on the Internet that made writing improvement a site-wide mission.
Tastes at MIT By Kali Xu Campus Life Editor
If you could meet one fictional character, who would it be?
Editor's Note
It’s difficult to separate the concept of nerdiness from MIT. The Coop sells stickers that say Nerd Pride, our mascot is the beaver (nature’s engineer), and Conan O’Brien pokes fun at MIT’s nerdiness on his Twitter.
Extended Klink Interview
The Tech: Could you tell us a little bit [about] how you first got involved in fandom?
Parties, cars, and careless people
Let’s start with the pros. When I first saw trailers last year, I was offended by the choice of music. Yet, to my surprise, the music’s unexpectedness blends well with director Baz Luhrmann’s fantastical take on the story. In the elaborate party scenes, the hip-hop music by Jay-Z matches the craze, while also giving it a dimension of modernity. In another scene, a jazzy rendition of Beyonce’s “Crazy in Love” undoubtedly entertained the younger audience members. The best parts of the soundtrack, however, are the mash-ups of old and new. Motifs from Gershwin’s “Rhapsody in Blue” are used a few times in the film, and once it is blended with Jay-Z’s “Empire State of Mind.” The soundtrack strategically pulls in the younger audience while tying in the classics for more seasoned moviegoers.
Omne trium perfectum
Every time I go to the Boston Opera House I am blown away. Last week, which saw the premier of Chroma, was no different. The audience was treated to three very different but complementary ballet performances: Serenade, Chroma, and Symphony in C.
Little Boots finds her own musical niche
In the last ten years, the UK music scene has been producing new female singer-songwriters like an exponential growth function let loose. After the great success of Ireland-native Róisín Murphy’s trip hop and dance-pop solo career in the UK, followed by Amy Winehouse’s planetary breakout and her revival of contemporary soul and jazz music, there have been few major waves of incoming sound — and look-alike female musicians. Adele and Duffy were the first ones to take and pass on Winehouse’s torch, by writing and producing similarly soulful and bluesy songs. By the end of the 2000s, a new wave of more-pop-oriented female artists brought VV Brown, Jessie J, Florence Welch (of Florence + The Machine), and Marina Diamandis (of Marina and the Diamonds). In the meantime, Róisín Murphy-inspired artists, such as Elly Jackson (of La Roux) and Ellie Goulding, diversified the music scene by popularizing electro-pop music.
Science-inspired art
CAST’S Spring Sound Series brought to us alumna Julia C. Ogrydziak ’96, a multi-everything artist. Ogrydziak exploited all the goodness MIT had to offer her, and in return, she has made the most out of what MIT gave her. While pursuing a double degree in Physics and Music, she UROPed for a couple of years in the then-called Hyperinstruments Group at the Media Lab, which focused on multi-media and performance. After that, she pursued her interest in design by getting a degree at Harvard’s Graduate School of Design. Phew.