They did succeed on Broadway (and in La Sala)
Monty Python’s Spamalot follows the adventures of King Arthur and his faithful sidekick, Patsy, as they embark on a journey across England to enlist knights and find the famed Holy Grail.
The brutalist beauty of ‘Obsidian Tear’
This isn’t your typical ballet. You get this feeling as soon as you hear the sound of feet hitting the ground.
The greedy, horrific, but fairly moving tale of Mr. Burke and Mr. Hare’s victims
“The people of Edinburgh aren’t… dying… QUICKLY ENOUGH!!!” Here cry the despairing voices of the schools of anatomy. The cadavers are running low, so study is restricted. Gravedigging is illegal, and only those who die as criminals or as otherwise properly indicated by the state are allowed to be sold for science, so supply is limited.
Christian McBride sets the baseline for bass
Joined by pianist Christian Sands and drummer Jerome Jennings, McBride promised a fun night even among the serious, erudite scholars of Harvard, and as he puts it, to help maintain the balance.
Hamlet does not condone the use of musical instruments as violence
This weak impression I had of the play 'Hamlet' greatly contrasted with The Shakespeare Ensemble’s performance: lively, emotional, funny, and viscerally moving at times. Yes, this Shakespeare play does not disappoint: (fake) blood and death abound!
A dead god, blind god, smart god, and angry man all walk into a planet...
If you’re trying to decide whether you should go watch Thor: Ragnarok — if you want a stimulating plot or breathtaking acting, this movie might not be for you. But, if you want a few fun hours with a movie chock-full of action and simple jokes that makes you laugh, Thor: Ragnarok will definitely not disappoint.
Of monsters, math, and motherly love
The 15-year-old math-whiz with Asperger’s wants to find the person responsible for the death of Wellington, the dog found speared with a pitchfork on a gloomy night.
A long way from home
LSC hosted a behind-the-scenes look of Pixar’s upcoming movie, Coco. Dean Kelley, one of the artists, came to MIT that Friday to give us a preview of some scenes.
These people do not deserve to go to Aruba
In retrospect, there wasn’t much of a point in the end. The people who died died of their own callous mistakes (and deserved it). There wasn’t much heroism to root for so all one can do is hate the perpetrators.
Have you ever been lost in a piano?
Occasionally, I would be lost in her music, drowning in dulcet notes that were simultaneously warm, strutting and fretting in such a way that did not feel frenetic.
I volunteer as tribute!
There was quite a bit of excitement when L’assedio di Calais, which hadn’t been performed since 1840, was revived in 1990 in Europe at the Bergamo Festival and just last year in the United States at the Glimmerglass Festival.
A lifejacket and a passport: an exploration of refugee migration
Instead, the bits and pieces from various scenes seem intentional to the point of the film; we are constantly shown the dehumanization of the refugees by various subconscious and external forces. We are reminded that the crisis is not isolated but rather an immediate and immense issue for human beings and countries around the world.
A Hahn-ds down winning performance
Week 4: Ligeti’s “Romanian Concerto”, Dvorak’s Violin Concerto in A minor, op. 53, Schumann’s Symphony No. 1 in B-Flat, op. 38, “Spring”
Alice Smith effortlessly brings her audience together
She was restless, though; and she looked as if she was searching for something. Only when she smiled a bit, turned, and without the mic delivered a note as high and strong as the ones with the mic, the playful twinkle in her eyes settled into a look of satisfaction of a performance well delivered.
‘Oleanna’ returns to stir controversy
Inspired by Anita Hill’s sexual harassment allegations against Clarence Thomas and the accompanying public outrage, Oleanna explores the power dynamics between a student and her professor when she accuses him of sexual harassment after a private meeting concerning her grades.
A gut feeling
Soon, the empty stage, with a beautiful, defunct organ for backdrop, would be graced by the presence of the most well-known and widely praised period-instrument quartet of the day. Quatuor Mosaïques, an Austrian ensemble that came together 30 years ago, distinguishes itself with its singular use of gut-stringed instruments, specializing in the music of the 18th century.
The great gamelan
What the songs had in common is their construction — a careful kind of chaos that stops just long enough on a tone for me to commit it to memory. I spent the journey home contented, my ears still wrapped in the concert’s final note.
