MOVIE REVIEW ★★ 1/2 Bring on the Guilty Pleasure
In the last few years, musicals have been created by compiling multiple songs from popular artists to tell a story. One of the first, and most successful, of these musicals is <i>Mamma Mia!</i> which uses songs from the palindromic Swedish pop group ABBA. It comes as no surprise that Hollywood has decided to make a movie of this long-running musical.
MOVIE REVIEW ★★ 1/2 Career Change With a Bang
Much like a music video by Shakira, <i>Wanted</i> is living, breathing proof that entertainment and quality are often wholly uncorrelated phenomena. At approximately three parts Mortal Kombat fatality and one part Maxim cover, you would be hard pressed to find a more perfect summer blockbuster.
INTERNET REVIEW The Dr. Horrible Internet Spectacular
Don’t make the same mistake I did; at least wait for the singing to start. It is, after all, a sing-along.
BOOK REVIEW Re: Scamming the Scammers
I have to admit, I’m somewhat partial to spam e-mail. Everyone says it’s a pain in the ass and they all spend money on programs to prevent it from entering their precious inboxes. But I say bring the spam on! It’s usually funny, sometimes poetic, and apparently, you can have a pretty good time responding to it. As far as responding to these e-mails goes, I’ve thought about it before and decided I probably have better things to do with my time. Luckily, author Neil Forsyth doesn’t, and he’s written an entire book about scamming the scammers.
MOVIE REVIEW ★★★ Living Passionately After Tiananmen
Ye Lou’s <i>Summer Palace</i> chronicles the collective rise and fall of a generation of Chinese youth: it lumbers through its nearly two-and-a-half hours on the back of a young woman, Yu Hong (played by Lei Hao), from her dense, passionate college years to the bleak, depleted years of adulthood that follow.
MOVIE REVIEW ★★★ ‘WALL-E’ a Winner for Kids, Adults, and Robots
For Pixar, selling their next movie is as easy as putting the phrase “From the makers of __” on a poster with the implicit promise that it’s going to entertain as much as <i>Finding Nemo</i> or <i>The Incredibles</i>. Like clockwork, it invariably does, and it’s hard to stress enough the fact that these people never simply coast by on the reputation of their brand. Since I’m prone to exaggeration, I could compare the firsthand enjoyment of Pixar’s decade-long hit parade to what it must’ve felt like to listen to each of the Beatles’ albums as they were being released. If you think of <i>WALL-E</i> in that context, it’s more Magical Mystery Tour than Sgt. Pepper. It may not hang with the best of its peers, but it’s more than worthy of induction into the Pixar canon.
MAIL REVIEW The Best of the Bin
You have no idea how much mail we get daily at <i>The Tech. </i>Seriously. If you try to guess, you’ll come up short.
EXHIBIT REVIEW A Dark Trip Between TV Sets
The first installation in Chantal Akerman’s new exhibition in the List Visual Arts Center presents an imposing blockade of television screens: placed in triptychs throughout the room, one has to weave and sidestep between the televisions to get through.
INTERVIEW In the Sandbox: An Interview With Junot Díaz
Junot Díaz is a writing professor at MIT. His new novel, published last year, won the Pulitzer Prize for fiction. <i>The Brief Wondrous Life of Oscar Wao</i> is the story of a fat Dominican “ghetto-nerd,” who loves science fiction and fantasy genre more than life, and loves women even more than genre. He’s born and raised in New Jersey, but only finds true fulfillment when he returns home to the Dominican Republic to face the demons of his family’s history.
THEATER REVIEW Still Relevant and Consistently ‘Earnest’
Has Victorian humor survived the past century?
ALBUM REVIEW Fripp Flubs Latest Crimson Release
It’s that time of year again: Robert Fripp and co. have reached a lull, anticipating their end-of-summer tour, and the only way to put food on the table (and promote the shows) is to release a blindly hand-picked bootleg from the King Crimson archive. And thank goodness they picked a decent show.
FESTIVAL REVIEW Alternatives to ‘Iron Man’
The sixth installment of the annual Boston Independent Film Festival took place a couple weeks ago from April 23rd to 28th. Over 90 films were screened over seven days at the Somerville Theatre, the Brattle, and Coolidge Corner. In case you missed the action, here are some highlights and lowlights so you can start getting excited for next year’s festival.
The Best Concerts of May 2008
April showers bring May flowers, and in this case, the downpour of ex-lead-singer shows last month has led to a hefty crop of diverse acts (okay, Jeremy Enigk snuck in there, somehow). There are so many notable groups playing locally this month that I didn’t even get to list (The Teenagers, Los Campesinos!, The New Deal, Firewater, Eyedea & Abilities and Kevin Devine, to name a few), so I highly recommend scouring venue Web sites to see if I skipped over one of your favorites. But this is my column, after all, and so my picks get top billing. With that I present to you May’s best shows; especially notable ones are marked with stars.
OPERA REVIEW Lyric Opera’s Last Production
It’s no surprise that in Boston, a city inundated with eager students, free arts events harness high attendance. Last week, hundreds of such students attended a free performance of the Boston Lyric Opera’s last production of the season, <i>The Abduction from the Seraglio</i>. Though this is one of Mozart’s lesser known operas, the theatre filled to near full capacity. The Boston Lyric Opera has been offering free tickets to the public (but specifically targeting students) for the dress rehearsals of all its major productions. Before the beginning of the overture, Janice Mancini Del Sesto, the exuberant General Director of the BLO, arrived in the left box seat to announce this season’s recipient of the Stephen Shrestinian Award for Excellence. She then proudly led the audience in a grand applause for Joseph Valone, a Boston University music program alumnus; the award was a cash prize for a young, up-and-coming performer wishing to further his or her career in professional opera.
CONCERT REVIEW Are You That Girl?
Dear girl from Boston College who stood in front of me at the Third Eye Blind show,
Oliver’s Twist on These ‘Terrifying Times’
Ever since Briton John Oliver appeared as a correspondent on The Daily Show, I’ve wanted to see more of his work, and have hoped to some day be able to talk to him. Thanks to a Comedy Central special, I got to do both this past week. On Sunday, Mr. Oliver starred in his own one-hour stand-up special, “Terrifying Times,” in which he discussed the scariness that is world politics. Instead of crude humor, Mr. Oliver made intelligent observations about serious situations put in a comedic light. A few days before “Terrifying Times” aired, I was able to talk to Mr. Oliver by phone about his transition into comedy, his work on The Daily Show, and his new comedy special. Below is an excerpt.
MOVIE REVIEW ★★ 1/2 ‘Baby Mama’ Delivers Laughs, But Gags Are Far From Newborn
My new favorite thing when looking up a movie is to read the plot keywords on IMDB. They are usually hilarious and often surprisingly able to sum up a movie. For example, the keywords posted for <i>Baby Mama</i>, the new comedy starring Tina Fey, are “pregnancy,” “toilet,” and “surrogate mother.” These three words are absolutely accurate; the movie is indeed about pregnancy and surrogacy, but it’s also so absurd that the word “toilet” is not out of place.
MOVIE REVIEW ★★★ ‘Sarah Marshall’ Formulaic, But Not Forgettable
Comedy movies of the past few years have progressively gravitated towards in-your-face outrageous laughs. Movies like <i>Knocked Up</i>, <i>Superbad</i>, and <i>Walk Hard: The Dewey Cox Story</i> have led the way to this new form of R-rated comedy. These films are a direct result of Judd Apatow’s vision, who directed <i>Knocked Up</i>, produced <i>Superbad</i>, and most recently produced <i>Forgetting Sarah Marsall</i>. This movie serves up the laughs at a fevered pace, but Apatow’s formula is becoming a little predictable.
THEATER REVIEW A Rewriting of Shakespeare
Within 24 hours of beginning development, a group of less than twenty MIT Shakespeare Ensemble members had written a script, formed a cast, rehearsed it, made costumes, built a set, and completed everything else that a play needs. It all went down in 34-101, a lecture hall usually used for classes rather than plays. A very odd place to stage a play.
CONCERT REVIEW Sasha and Digweed Melt Faces, Shake Booties
April in Boston can be a rough time for electronic music fans. For those who couldn’t make the pilgrimage last month to Miami for the Winter Music Conference, the perpetual mist and bluster of the northeast might leave the heart yearning for the warm beaches and thumping bass of more hospitable party scenes.