INTERVIEW Rubblebucket Orchestra Ramp Up to Halloween Gig at Middle East
Afrobeat groove specialists Rubblebucket Orchestra will play a special show tomorrow night at the Middle East Downstairs. The morning after a gig in Hartford, I caught vocalist and saxophonist Kalmia Traver on the phone to discuss Rubblebucket Orchestra’s past, the new record <i>Rubblebucket</i>, and the influence of African music on her band’s style.
COMEDY REVIEW Night of Comedy Gets MIT to Lighten Up
As any good <i>Office</i> fan would know, B.J. Novak came to MIT last Saturday night for a stand-up comedy show. Novak, whose career started in stand-up, plays Ryan Howard in the hit NBC sitcom, writes for the show, and has appeared in such films as <i>Knocked Up</i> and <i>Inglourious Basterds</i>.
EXHIBIT REVIEW For Very Important Muggles Only
Instead of heading to Hogwarts School of Witchcraft and Wizardry, the Hogwarts Express left platform 9 3/4 and took a transatlantic detour to Boston this September. Though no young witches and wizards were aboard the train, more than two hundred authentic costumes and props were.
INTERVIEW Q&A with Neville Longbottom
Matthew Lewis, who portrayed Neville Longbottom in the Harry Potter series; Eddie Newquist, president of Branded Entertainment and Exhibitgroup/Giltspur; and Paul Fontaine, Vice President of Education of the Boston Museum of Science, discussed the Harry Potter exhibition at a roundtable discussion with <i>The Tech</i>.
CONCERT REVIEW Bel Canto with Flair
For all of its expert craft, there are many non-trivial reasons Gioachino Rossini’s <i>Tancredi</i> isn’t one of his more popular operas. Large rifts gape in the plot line (Since when is Amenaide pregnant? Why doesn’t Argirio recognize the renown Tancredi when he joins his army? Why does Amenaide write a letter that is unaddressed and almost purposefully misleading?), while the drama portrays an affected and protracted moral code that holds very little in common with modern experience.
OPERA REVIEW Metropolitan’s Production of Aida Refreshing
The audience at the Metropolitan Opera was surely as dramatic as the performers on stage. Despite booing conductor Daniele Gatti for what it considered a lackluster performance of Verdi’s <i>Aida</i>, the audience seemed quite content with a repeated performance a little over a week later.
THEATER REVIEW Murder, Improv, and Pithy One-Liners
The Charles Street Theater delivers with <i>Shear Madness</i>. The combination of a murder mystery, improv comedy, and audience interaction makes this a very unique production. The show’s motley cast features a flamboyantly gay hair salon owner, an attractive and spunky female hairdresser, a slimy salesman, an elderly blue-blooded woman, and two stereotypical Boston cops. The chemistry of the cast adds spice to the on-stage interactions; even the actors occasionally erupt into laughter at each other’s ad lib.
CONCERT REVIEW A Smorgasbord of MIT A Capella Groups
Last weekend had a lot to offer to MIT students, as the wide variety of student groups on campus showcased their love of everything <i>but</i> math and science to the visiting families. One of the weekend’s highlights was the Saturday night a cappella concert, dubbed the “Greater Boston Invitational Songfest.” The lineup included all nine campus a cappella groups, each performing two numbers of their choice.
CONCERT REVIEW Say Hi: Raw Like Sushi
Say Hi (formerly Say Hi to Your Mom), the little-known second opener at TT’s, proved to be by far the most talented band of the evening, blowing both the opening act and the headlining band out of the water. Raw and loud without any sacrifice to their catchy, simple melodies, Say Hi’s show on Tuesday was a performance that changed the way one would listen to a band’s recorded work.
CONCERT REVIEW Reviving the Masters
A point of clarification: the practice of castrating pre-pubescent boys that showed promise in singing started in the sixteenth century somewhere in Italy. In the absence of the testosterone-secreting gland, limbs elongated, ribs kept growing (resulting in extraordinarily large lung capacity) and, perhaps most importantly, the larynx failed to develop: the adult male (<i>castrato</i> in Italian) retained his pre-pubescent range and flexibility. Subsequent training developed the pre-pubescent voice into a mature, fully-developed, yet eerily pristine, alto or soprano voice part.
RESTAURANT REVIEW Eating Out with Mom and Dad
T<b>he Scenario</b>: Your parents have just arrived on campus, pleased to see that you haven’t gained all of the “freshman fifteen” in a month and a half of college. You show them around campus, stopping by the Student Center and emphasizing that this is where you eat on a daily basis. Eventually, you hear the five magic words from your parents, “We’re taking you out tonight.” Without missing a beat, you slyly say, “Well, there is one place I’ve always wanted to try out…”
CONCERT REVIEW Built to Spill Dig Further Down
Built to Spill, just days after the release of their seventh LP <i>There Is No Enemy</i>, stopped by Cambridge for a three night run at The Middle East Downstairs last weekend. After seventeen years and a handful of different lineups, songwriter Doug Martsch is still at the helm, looking aged but adjusted. The “well-groomed” five-piece took the stage on Sunday, warmed up after two nights in the same venue, opening with a powerful version of “You Were Right,” a tune from 1999’s <i>Keep it Like a Secret</i>. The song pulled the audience back and forth through a dynamic maze, always climaxing with Martsch’s accusation, “you were wrong/when you said/everything’s gonna be alright.” The song benefited from the controlled layering of three guitars. Most notably, guitarist Brett Netson’s overdriven leads cut through the mix at times to reveal a deeper counterpoint against Martsch’s riffing.
BOOK REVIEW Byrne, Bikes, Buenos Aires, Oh My!
At the core of <i>Bicycle Diaries</i>, David Byrne’s foray into cycling fan-(non)-fiction, is the notion that being on a bike provides a unique viewpoint of the world. Through offerings that are captivating and thought provoking, Byrne dispenses his insights from eyes perched above the cars and pedestrians. Being on a bike probably helps, but the real trick is being David Byrne. How else could you explain diary entries from Buenos Aires bike rides that devolve into meditations on canine hierarchy and lewd dog behaviors?
MOVIE REVIEW When Science Attacks!
Flint Lockwood (Bill Hader) lives with his dad on an island whose inhabitants’ sole source of food and income comes from the sardine business. Flint has always had a passion in science and inventing things since childhood. So when the sardine supply vanishes one day and the town is left to go hungry, he comes up with the perfect invention: a machine that will turn water into food.
CD REVIEW Pearl Jam Heads Back to Familiar Space
Of the all the bands that came out of Seattle and popularized the grunge movement in the early 90s, Pearl Jam is essentially the only surviving group that has consistently released albums and amassed a following of devoted fans. In the beginning, it was <i>Ten</i> that launched the group onto the map.
MOVIE REVIEW ★★★ A Tale of the Haves and the Have-Nots
It’s not every day that I get to see Michael Moore in the flesh. Granted, he’s too much of a liberal firebrand for me to stomach at times, but I couldn’t pass up an opportunity to see the Republican Party’s Public Enemy Number 1 in all of his pudgy glory last Wednesday night when I screened his film, <i>Capitalism: A Love Story</i>.
BALLET REVIEW All Eyes on Giselle
G<i>iselle</i> was a fine choice as the season opener for the Boston Ballet, in the terms of the company’s new goals of enticing and capturing a younger audience by placing ballet in a trendier and more accessible spotlight. What could been better than the timeless tale of love to win over the hearts of young and old?
CONCERT REVIEW Philharmonia’s First Concert of Season Is a Hit
From the outside, the New England Conservatory’s Jordan Hall is deceptively plain. Construction lines the street and scaffolding hides the entire face of the building, making it easy to pass by without a second glance. Inside, however, is a different story altogether. An ambience of grandeur and excellence penetrates every corner of the 1013-seat concert hall, whose rich mahogany paneled walls and gold-plated detailing creates an aesthetically, as well as acoustically, perfect space.
CONCERT REVIEW Too Too Too Long Since the Last Album
Sawing out the same old tunes for ticket-buying fans would be the undoing of any average rock band — thankfully, Ra Ra Riot is far from average. A tight performance and real musical skill enthralled the Paradise Rock Club, and even the sawing — as delivered by beautiful string players Alexandra Lawn and Rebecca Zeller — urged the Saturday night audience to break into en masse hipster shuffling.
MOVIE REVIEW Coco, Coco, Where Is Chanel?
The mere title of <i>Coco Before Chanel</i> may intimidate moviegoers with no interest in fashion. But even the least fashion-aware recognize the name as the face of haute couture. Perhaps these moviegoers will be happier to know that <i>Coco Before Chanel</i> is an almost biographical portrayal of Gabriel Chanel (‘Coco’ was her pet name), played by the adorable French actress Audrey Tautou, before Chanel became the legendary fashion icon and businesswoman.