Le Corsaire (the Pirate) is a thrilling fantasy tale set in the Royal Ottoman era about a love triangle between a handsome corsair named Conrad, ruthless Said Pasha, and the beautiful maiden Medora.
Is dancing performance art or competitive sport? That is the question put before the International Olympics Committee (IOC), as it considers to allow competitive ballroom dancing in the Olympic games. To help the IOC make its mind, the World Dancesport Federation (WDSF) brought some of its best dancers from around the world to the Boston World Open for the first time last weekend.
Whether it is just another attempt by feminist revisionist historians to rehabilitate female historical figures by distinguishing their personal views and deeds from that of their husbands or fathers, or merely an expression of the personal and professional views of Evelyne Lever, a leading contemporary French historian and author, Marie-Antoinette in Her Own Words at the very least invokes sympathy for her gruesome fate, if not also empathy for her long suffering through a passionless marriage and the backstabbing of cruel panjandrums in the 18th century French imperial court.
The José Mateo Ballet Theatre of Cambridge opened its 28th season with a performance of Shadows Fleeting, the first of five ballet repertory performances of the 2013–2014 season. Shadows Fleeting features three unique works — Dark Profiles (2001), Covens (2006), and Vanished Verses (premiering this season) — by José Mateo, the company’s impresario, choreographer and artistic director. The recurrent theme of the night was exploring the darker side of Mateo’s provocatively expressed repertory.
In commemoration of the 200th anniversary of the birth of Giuseppe Verdi, the celebrated Italian operatic composer, and in support of the relationship between Eni and MIT, the La Scala Chamber Orchestra performed a special MIT-exclusive concert at Kresge Auditorium on Oct. 7. The concert performance was proceeded with brief introductory remarks by MIT President Reif and Eni’s Chairman
The Boston Ballet opened its 50th season before an estimated audience of over 45,000 ballet aficionados, performing the dazzling Night of Stars in Boston Common last Saturday. The free one-night performance featured excerpts from Boston Ballet’s entire repertory of classical, neo-classical and contemporary ballets. Multiple giant screens, a velvety state-of-the-art sound system and the gigantic stage, which at times dwarved soloist and pas de deux performances, made for an enchanting evening of highbrow artistry.