One would assume that the antelope on the cover of <i>Our Love to Admire</i> would strike a more expressive pose than pictured, given that he faces his demise via predatory lions. I guess this antelope just needs a little more time to mull over what’s happening before reacting. That kind of behavior is just not going to cut it for most animals that like their torsos intact, and while humans rarely have to worry (anymore) about that sort of thing, the principle still rings true in modern society: there are those with a predilection for quick action, and they get what they want; then there are those who spend too much time thinking about what they want. Then there’s Interpol, who spend their time making music about thinking too much about what they want.
With sprightly new indie bands coming out as fast as you can type “myspace,” it can be tiring and time consuming to navigate the Web in hot pursuit of new music. But never fear — these five discs, many of which come out next month, are tried-and-tested and sure to grace back-to-school playlists across the country as soon as they hit the CD store shelves.
Growing up, my parents drove a car with only a tape player. My sister owned <i>Moving Pictures</i>, probably Rush’s most popular album, on cassette. I wore that tape out; now all the songs sound a half step up, but I don’t mind. Rush is a band that instantly made its home in my mental library and has been occupying and expanding it ever since. It’s not like I can stop them; they have 18 studio albums and five live albums in their back catalog.
The Bourne Ultimatum,” the latest release in the Bourne movie series, is the epitome of a summer thriller: action-packed with enough suspense to leave you on the edge of your seat and wanting more. “Ultimatum” picks up where the last movie, “The Bourne Supremacy,” left off, and it features most of the cast from the first two films (or at least the living characters), including Matt Damon as the title character Jason Bourne, Julia Stiles, and the amazing Joan Allen. Even if you didn’t see the last two movies, or you’re like me and forgot some of the details, the movie is still worth seeing.
L<i>ast March, I proclaimed White Rabbit’s debut LP Fort Nightly album of 2007, wildly ignoring the laws of conservative announcements and completely forgetting that there were still nine months left in the year. The claim sticks, and I’m not the only one who thinks so; since then, their calypso-infused and darkly danceable debut has garnered serious attention from music press bigwigs. The band was playlisted by Pitchfork Media, made Band of the Day by Spin, earned NPR’s Song of the Day with single “The Plot,” and named one of the top four bands to watch in 2007 by The Onion A.V. Club.</i>
The most anticipated book of the last decade perhaps — certainly the most talked about of the year — the final <i>Harry Potter</i> book hit the stores two weeks ago, breaking sales records left and right (although not before pictures of each of the American version’s 759 pages had been leaked online). That it tops the best-seller lists should come as no surprise, but how does the book itself measure up?
Harry Potter and the Order of the Phoenix,” the fifth movie in the series based on J.K. Rowling’s books, follows Harry Potter (Daniel Radcliffe) and his friends as they enter their fifth year at Hogwarts School of Witchcraft and Wizardry. Lord Voldemort (Ralph Fiennes), the evil Dark wizard, has returned, but no one at the Ministry of Magic wants to admit it. Instead, the Ministry uses all its might to convince the public that Harry Potter is a liar and control all those who believe in him. They even go so far as to place the wickedly sweet Dolores Umbridge (Imelda Staunton) at Hogwarts to watch over Harry and squash any rebellious behavior. All of this while Lord Voldemort is trying to obtain some sort of weapon in his fight for control.
The Bonnaroo Music & Arts Festival is an annual event in Manchester, Tenn. The music in Bonnaroo is divided between six confusingly titled spaces — "What Stage," "Which Stage," "This Tent," "That Tent," "The Other Tent," and "Somethin' Else." What follows are the highlights of the musical experience that is Bonnaroo and some tips in case you might want to attend someday.
To start, let me just say this: Steve Carell is no Jim Carrey. Whether you think that is a dis or a compliment will determine whether you will like or love the former's latest movie, "Evan Almighty." Of course, there is still a chance you wouldn't enjoy it at all, but that is only if you are the type of person who doesn't really like comedies (or life as far as I'm concerned).
Meg Cabot, the bestselling author of the <i>Princess Diaries</i> series, has recently released her latest book, <i>Queen of Babble in the Big City,</i> a sequel to her 2006 novel <i>Queen of Babble</i>. It should come as no surprise that both of these novels fall under the "chick lit" category; in fact, if you look up the definition of "chick lit," I wouldn't be surprised if you found a picture of these books.
L<i>ast summer, I was fortunate enough to read and review The Glass Castle, a memoir by MSNBC journalist, Jeanette Walls (the review is available at http://www-tech.mit.edu/V126/N27/27Castle.html). In the work, Ms. Walls describes growing up well below the poverty line with her alcoholic father and creative mother. This entertaining work that seemed more like fiction than reality was beautifully written and made me so much more appreciative of my "normal" family. Needless to say, when I found out Ms. Walls would be speaking at a local event held by Parenting Resource Associates' COMPASS for Homeless Families (http://www.parentingresourceassociates.org ) to raise awareness and funds for homelessness in Massachusetts, I was delighted to be able to hear her speak and talk with her after the event. After Ms. Walls shared some of her personal experiences with homelessness and poverty, I sat down with her and the following is an excerpt from our conversation.</i>
It's hard not to like jewelry. The familiar shape and feel of it against your skin and the memories it brings make wearing jewelry a small everyday pleasure. The glances and admiration it sometimes elicits are not to be underestimated, either. But those of us who love jewelry don't quite know what it is to really love jewelry until we've visited the new Museum of Fine Arts exhibit showcasing it: "Jewelry by Artists: The Daphne Farago Collection."
There are a few things every MIT student should experience before leaving Boston. The Freedom Trail, the Museum of Science, the Museum of Fine Arts, and walking through the Esplanade are obvious choices, if only because they’re free. But equally essential to get that authentic Boston experiences we out-of-towners pay so much tuition for is witnessing the power and awesomeness that is the Boston Pops.
At first glance, Brookline Lunch doesn’t look like much. It looks a little cruddy, and it isn’t in the most charming of locations amidst the liquor stores and homeless of Central Square. But more important than the décor is the food, of course!
Watching <i>Spider-Man 3</i> is like dating a hermaphrodite: no matter what you’re into, you’re bound to find something that you like. The Spider-Man franchise has been mostly based on cheesy romance and violence, and this third installment is no exception, delivering all of the 3-D panning fight scenes and life lessons that one could ever want. Throughout the film, Peter Parker/Spider-Man (Tobey Maguire) fights with his best friend Harry (James Franco), evil villains, his girlfriend Mary Jane (Kirsten Dunst), and the demons in his own soul, which, as Dr. Phil could tell you, are the hardest to excise. The Spider has obviously bitten again.
This past weekend, the MIT Musical Theatre Guild opened their spring musical, <i>A Funny Thing Happened on the Way to the Forum</i>, with a bang. The musical, which was written by Stephen Sondheim, is a classic comedy about an ancient Roman slave, Pseudolus (Timothy I. Abrahamsen ’06) as he attempts to win his freedom by getting a girl, Philia (Kathleen McEnnis ’07) for his young master, Hero (Jonathan Arie Gray ’10). Since this is a comedy, Pseudolus’ plans are continually (and humorously) foiled by all of the other characters — including a pimp, courtesans, three Greek chorus members, a nagging wife, an unhappy husband, a powerful Captain, a blind neighbor, and an uptight slave — and confusion ensues. While the plot is interesting enough, it is a bit predictable and overshadowed by the humor of the dialogue. In fact, despite the title, I’m pretty sure no one even went to a forum; and if a character did, it was of no consequence to the work as a whole.
I don’t know about you, but it is easy to get depressed about the current state of American cinema. <i>Disturbia</i> is number one for the third week in a row and somebody actually finances the likes of <i>Kicking it Old Skool</i> and the Nick Cage atrocity, <i>Next</i>. Before you decide to send a pipe bomb to Universal studios, keep in mind all the great smaller filmmakers pursuing innovative and interesting cinema! Last week, some of these brave filmmakers descended on Boston for the fifth annual Independent Film Festival of Boston. With over 70 shorts, documentaries, and narrative features including some premieres, the event has become a great destination for anyone who likes movies and is sick of the crap in wide release. Beyond the films, there were also panel discussions, Q&A’s with the filmmakers after most screenings, parties every night, and lots of free Utz potato chips.